So, then, we must ask ourselves: What are these films about? Is there not something revealing even about the reflections seen in popular culture? Cannot pop culture, therefore, be considered part of high culture? Must it be discarded simply because it is popular? I don't think that it must. And yet there is something distinctly different about the Tree of Life that Twilight simply does not have. One might call it vision or purpose. Perhaps this is the difference between high culture and popular culture. Needless to say, however, at a cinema one may often choose either/or.
Still, Umberto Eco states that "according to traditional standards in aesthetics, Casablanca is not a work of art, if such an expression still has meaning" (Eco 197). This is an interesting observation by Eco for a number of reasons. First, it points out that one of the most celebrated movies of all time is not what traditionalists or high culture purists would classify as part of high culture: it is a pop culture phenomenon. Secondly, however, Eco qualifies his statement with the curious phrase "if such an expression still has meaning." It is indicative of the radical transformation in the way art and culture are now analyzed both by amateurs and scholars, low and high cultures, that Eco should have to add this qualifier. Why might going to the movie theater to see a film by Antonioni be considered participation in high culture? What distinguishes a work by him or Malick from a standard Hollywood studio production? Again, we arrive at the same question. If popular culture scholars are compelled to give such a definition, it may be because "high culture" descended into the ranks of popular culture through the works of such artists as Richard Hamilton, Jaspar Johns, and Andy Warhol.
This idea may help explain why John Storey theorizes that it is difficult to separate popular culture from high culture, since there...
The youth in these countries has become more than just obsessed with the physical appearances as plastic surgery is also becoming quite common. China probably has the greatest plastic surgery industry where they work at everything from increasing heights to improving complexions to match those that of the white Caucasian race. As in Singapore, which is "a global city" we find it being "at the forefront of consumerism of
The spectator is unwittingly sutured into a colonialist perspective. But such techniques are not inevitably colonialist in their operation. One of the innovations of Pontocorvo's Battle of Algiers is to invert the imagery of encirclement and exploit the identificatory mechanisms of cinema in behalf of the colonized rather than the colonizer (Noble, 1977). It is from within the casbah that we see and hear the French troops and helicopters. This
Theatre Today & Theatre for Me Theatre, as a genre of creative expression, is still very much valid in the 21st century. It originated thousands of years ago, and still draws crowds in the 21st century around the world. Many of the classic plays of many cultures are still performed, as well as adaptations of other forms (such as films, songs, etc.) are transformed into plays that interest and captivate audiences.
Towards the end of the play, after Argan finds out about the intentions of his wife and those of his daughter, he agrees for Angelique to marry Cleante, the man she really loves, as long as he agrees to become a doctor. Argan's brother has an even better idea by proposing that Argan be made a doctor himself. To this end, he calls some gypies that perform dances and rituals
Film Analysis on Farewell, My Concubine Farewell, My Concubine: Lies that become realities The film Farewell, My Concubine uses the lens of two men's lives to chronicle the political and social upheavals that gripped China first during the communist and then during the Cultural Revolutions. These men are extraordinary and unique: they are actors in the famous, traditional Peking Opera. However, the film argues that the artifice they are forced to use
Chinese Film The Evolution of the Chinese Film Industry Contemporary Chinese Film Poster (Chinese Films) For literally thousands of years, the Culture of China has inspired people and been a source of awe and excitement for people all over the world. The Chinese culture is rather unique and elegant with elements that are not commonly found in other cultures. Part of the cultures attraction is undoubtedly because it is one of the oldest
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