Movie production is one of the world's most enduring, exciting, and economically prosperous industries. Whether Bollywood or Hollywood, Bonnie and Clyde or Batman Returns, the film industry continues to rake in the dough and please a wide range of audiences. Chapter 6 of the text describes the origin of the film industry and its evolution and development. The authors also discuss the potential for film to influence cultural values as well as its importance in shaping them.
The film industry began somewhat as an offshoot of still photography, which first made an impact in the late nineteenth century. The commercial appeal of motion pictures was soon apparent and innovators in the United States and in Europe helped to develop the technologies required to run the cameras and viewing equipment. For example, early movies capitalized on the viewing box and photographic technology invented by Americans like William Dickson and George Eastman but it was the French inventors Auguste and Louis Lumiere who developed the ability to project the photographic motion pictures onto a wall or screen. As a result, the first film house opened in Paris, not the United States, in 1895. However, Thomas Edison seized upon the new projection technology and patented a projection system. Edison's company would later develop sound technologies that were used to enhance the viewing experience of early motion pictures.
The film industry flourished in the 1940s and reached its peak around 1948, when weekly revenues peaked at an astounding $90 million. The film industry in the United States has never yet enjoyed such tremendous prosperity, mostly due to the invention and popularity of the television. However, films remain one of the most vital creative industries in the nation and throughout the world.
The film industry responded to television's popularity first by attempting to trump television's technology. However, innovations such as Smell-o-Vision, 3D glasses, and peripheral vision screens fell short of revitalizing box office sales in the 1950s...
Film Analysis from a Design Perspective: Reading Raging Bull Elements of Design The focus of this paper is a pivotal scene from the film Raging Bull, starring Robert DeNiro as real life middleweight boxer, Jake La Motta. Jake's emotional status is reflected in multiple aspects of the film production, such as his physique and costuming, the cinematography, the editing, and the direction. Film communicates the narrative's physical reality and psychological reality with
Cain (afterward coupled by Mickey Spillane, Horace McCoy, and Jim Thompson) -- whose books were also recurrently tailored in films noir. In the vein of the novels, these films were set apart by a subdued atmosphere and realistic violence, and they presented postwar American cynicism to the extent of nihilism by presuming the total and hopeless corruption of society and of everyone in it. Billy Wilder's acidic Double Indemnity
The natural world allows us to show of more of our individual talents, whereas the urban landscape seems to only allow us to show what is needed of us in terms of industry. Modern Times echoes these themes and images of the early representation of the modern city. However, the film is much more comedic, but with the same message. For example, the factory scene shows the same monotony. It
The spectator is unwittingly sutured into a colonialist perspective. But such techniques are not inevitably colonialist in their operation. One of the innovations of Pontocorvo's Battle of Algiers is to invert the imagery of encirclement and exploit the identificatory mechanisms of cinema in behalf of the colonized rather than the colonizer (Noble, 1977). It is from within the casbah that we see and hear the French troops and helicopters. This
" (p. 52) Some of the famous action adventures include the latest ventures like Transformers. It is a classic example of new age action adventure movies which has a great deal of science fiction involved. Some action adventures also include a healthy dose of comedy like Jackie Chan movies such as Rush Hour. ROMANCE Romance is possibly the one genre that is not likely to disappear. Even though over time, it has taken
Film Noir Among the various styles of producing films, it has been observed the noir style is one that has come to be recognized for its uniqueness in characterization, camera work and striking dialogue. Film Noir of the 1940s and 50s were quite well-known for their feminine characters that were the protagonists, the femme fatale. This was most common with the French, later accepted in the United States. There might have
Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.
Get Started Now