¶ … movie Maria Full Grace a 2004 joint Colombian-American drama film written directed Joshua Marston,
The principle concept demonstrated dramatically and quite effectively by first-time director Joshua Marston in his 2004 film Maria Full of Grace is that the drug world merely functions as one of the effects of the overall economic system that currently governs the planet. This system, of course, is predominantly capitalist and, as such, needs someone to capitalize on. In the film, that capitalist victim is a character named Maria, and a couple of her friends who are forced into positions in which they transport drugs to try to overthrow the ills of poverty. This concept represents the principle ideology in this film. Its conception of good and evil, then, hinges on the ills of this capitalist economic system that impoverishes and exploits people. The true villains are the ones who keep the system in place, while the heroes who attempt to pursue good are the ones who simply try to surmount those evils.
Viewed through this lens, then, Maria Full of Grace presents an unconventional morality and depictions of good and evil. Maria and her friends, who are transporting drugs from Columbia to New York, are law breakers -- conventional morality would render them as evil. Yet they do so simply to overcome issues of wanton poverty and the capitalist system that produces it, which makes their action inherently good and renders them heroines. This fact is alluded to in the following quotation, which denotes that in this film "The stereotypical image of a Columbian drug dealer, a handsome Al Pacino type in a slick suit with a machine gun, has been replaced with the terrified faces of women" (Dermansky, no date). The fact that these women, a reference to Maria and her friends, are described as "terrified " alludes to the fact that they certainly are not evil, they are scared, and they are scared because they are attempting to do some good and earn a little money...
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