Juno, above all, takes center stage with her pretty face, her ponytail and hoodie, and her wise cracks, which is quite typical of an intelligent, perceptive high school girl. Paulie too is an ideal actor for that role as he and Juno go from just having some teenage affection for each other into a more serious couple facing a more serious issue that could have been a tense disaster but for their intelligence and social savvy.
When Juno runs into Jennifer Garner (the woman who will adopt Juno's baby) towards the end of the film, even though the married couple's bonds are fragile so Juno may not be giving up the baby to a couple, the viewer sees how perfect a choice Garner was for this role.
What's the theme? Do other elements work together to develop this theme? Those in the pro-life movement who thought this film was about their particular political position are wrong. And those in the pro-choice movement who believed this was about them got it wrong, too. The real theme, according to the New York Times, is "pro-adulthood"; Page said it is "absurd" to suggest that it is a pro-life film. She notes that Juno had a choice to make and she made it apart from any ideology or political viewpoint. Directing: Jason Reitman made all the right moves, from setting, to actors, to music, and even though there had been 2 other movies in 2007 about unplanned pregnancies, Juno stood out as a comedy with class, style, and substance.
Is the setting effective? Why? The movie was filmed in British Columbia at...
Jason Reitman's 2007 film Juno addresses a difficult and potentially controversial topic: unwanted pregnancy and the challenges of deciding whether to terminate the pregnancy or carry it to term. Braha and Bryne describe Juno as a "comedy-drama," but it is also a young adult film because its protagonist is a teenager and because it frankly addresses coming-of-age issues linked to uniquely adolescent sexuality and gender identity. The film focuses on
There isn't one time in the film that Martin doesn't act out of passion. Unlike Oedipus, Martin does not choose blindness but rather it is a result of his passion and desire for Mini. Watching Mini's First Time, the audience has a sort of god-like perspective as perhaps the audience felt in one of the great Greek theatres. As one watches the film, there is a definite feeling that it
The heart-rending autobiographical, Antwone Fisher, portrays Fisher’s (who is the movie’s scriptwriter) obsession for a family life, and spells of extreme melancholy and loneliness. The character of Antwone Fisher, an African-American sailor, is portrayed as volatile and uncontrollable. This nature makes way for compulsory psychiatric sessions with Dr. Davenport, after Fisher has a violent spell, leaving a peer bearing the brunt of his temper. Initially, Fisher doesn’t cooperate and remains
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