She is forced to marry as a child to a man she does not love, because her parents cannot afford to feed her. Her husband beats and humiliates her. Devi's abduction by bandits is portrayed as a relief, rather than penance for the young woman.
After Devi is abducted in the film, her anger against men is so intense; she physically lashes out even at her lover. However, eventually she finds a sense of friendship and fellowship amongst the bandits. The film explains Devi's criminality as a product of her oppression due to her caste and her gender. It turns her life into an instructive parable for the reader as to what can happen when the marginalized people of the world have no voice. "The press is fascinated by her boldness, by the way she disguises herself as a policeman, by her practice of befriending young girls and interrupting the weddings of children" (Ebert 1994).
However, although the film may be artistically powerful and be motivated by good intentions, the fact that it is about a living person raises additional ethical questions that might not be raised by Shakespeare's appropriation of Macbeth and Richard III, or even Oliver Stone's lose historical interpretation of the assassination of John F. Kennedy in JFK. An artistic work can transform a living person's reputation and life in a manner that has a...
Cain (afterward coupled by Mickey Spillane, Horace McCoy, and Jim Thompson) -- whose books were also recurrently tailored in films noir. In the vein of the novels, these films were set apart by a subdued atmosphere and realistic violence, and they presented postwar American cynicism to the extent of nihilism by presuming the total and hopeless corruption of society and of everyone in it. Billy Wilder's acidic Double Indemnity
Movie Critique: The Pursuit of Happyness When it comes to film making, the subject of rags to riches tales have been one of the most common subject for many filmmakers. Most film viewers have watched a number of movies that revolve around a financially broken protagonist making it big. However, in the post Y2k era, it is a common perception among many that a movie has to be high on graphics,
Film Analysis from a Design Perspective: Reading Raging Bull Elements of Design The focus of this paper is a pivotal scene from the film Raging Bull, starring Robert DeNiro as real life middleweight boxer, Jake La Motta. Jake's emotional status is reflected in multiple aspects of the film production, such as his physique and costuming, the cinematography, the editing, and the direction. Film communicates the narrative's physical reality and psychological reality with
Com). Pricilla Dean, despite her odd and some might say crooked features and curvy figure, had an interesting though brief career offering audiences a unique and fierce performance in Outside the Law in 1920 (Stanford.edu, 2011). It's rare nowadays to have published short fiction in movie magazines. This one utilizes five stars under the headline and above the title. This article demonstrates that human beings still write simple "how-to" style articles even
The natural world allows us to show of more of our individual talents, whereas the urban landscape seems to only allow us to show what is needed of us in terms of industry. Modern Times echoes these themes and images of the early representation of the modern city. However, the film is much more comedic, but with the same message. For example, the factory scene shows the same monotony. It
Film Noir Among the various styles of producing films, it has been observed the noir style is one that has come to be recognized for its uniqueness in characterization, camera work and striking dialogue. Film Noir of the 1940s and 50s were quite well-known for their feminine characters that were the protagonists, the femme fatale. This was most common with the French, later accepted in the United States. There might have
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