MOMA
A Comparative Discussion of Modern Art Museums
The Modern Museum of Art (MoMA) in New York City and Tate Modern in London have a number of major features in common that help to define the visitor's experience. Perhaps most importantly, both are considered among the most important collections in the world and both institutions are highly regarded not just for their conservation of art but for the usability of their facilities and the considerable educational, informational, cultural and recreational resources contained there within. What strikes one as most compelling about both collections is that they trace their respective origins to the efforts of extremely wealthy philanthropists but that each offers a collection rife with examples of resistance, protest and rejection of established values. Indeed, this is perhaps the most unifying condition defining modern art in evidence at both sites.
Founded and overseen by members of the Rockafeller family, the Modern Museum of Art would nonetheless become the home to many of the late 19th and early 20th century's most challenging works, including examples by Van Gogh, Picasso and Warhol. These various instances of surrealism, cubism and pop art would become part of the permanent collection, displaying the various ways that modern art has been used to dismantle prior...
3. The paintings In the light of the above discussion, the paintings that Picasso created with Marie-Therese Walter as his model during the period of their relationship must be understood and analysed against the background of two issues. The first, which has been briefly referred to, is the influence that relationships with women in Picasso's life had on his paintings. The second is that influence of other artistic styles and ideas. Picasso
Georges Seurat's Evening, Honfleur And Vincent Van Gogh's The Starry Night: Differences And Similarities In Style And Subject Matter The painting styles, if not the subject matter itself (i.e., in both cases an impressionist evening scene) of Georges Seurat's Evening, Honfleur (1886) and Vincent van Gogh's The Starry Night (June 1889) appear, especially at first, to be extremely dissimilar. Content of the two paintings appears dissimilar as well, with The Starry
This in another deceptively simple painting, which evokes the relationship between geese and nature in a few brush strokes. The background of is blank and bare, referring to the concept of nothingness, and the two geese are sketched in relation to a few lines which represent reeds. The work suggests a sense of great depth and space as well as the mystery of nature. Robert Motherwell Figure 1. Elegy to the Spanish
classic view of the Matisse/Picasso rivalry is that these two artists were the equivalent of the odd couple of TV fame (Milroy). A staff writer for New York Newsday, Ariella Budick, describes the typical opinion of these men as "a pair of complementary opposites." Textbooks tend to bolster this point-of-view. Modern Art (Hunter and Jacobus) places its discussion of Matisse in a chapter entitled "Expressionism in France" and puts
Pantone -- Pantone is actually a U.S. corporation headquartered in New Jersey. They are best known for PMS, or a Pantone Matching System, which is a proprietary color space used in printing, paint, fabric and plastics. Pantone is all about the use of shading, tone, and timbre of color -- hundreds of versions of each primary color so that the end user can accomplish just what it is they need.
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