Moliere Tartuffe Acts III-IV The third and fourth acts of Moliere's comedy Tartuffe raise the drama to a climactic confrontation which resolves in an unexpected direction at the end of Act III, allowing for a new twist in the final act. The third act centers around the actual introduction of Tartuffe -- whom we have heard described from the play's opening but have not yet met. His entrance does not disappoint, filled with lofty religious musings and a willingness to call attention to Dorine's bosom while pretending that it summons in him impure thoughts. Elmire, meanwhile, is planning to use her influence with Tartuffe in order to cancel his ludicrous plan to marry Mariane (in order to get her money). Elmire's private meeting with Tartuffe, and Act III Scene iii of Moliere's Tartuffe is, to a certain extent, the moment that the audience has been waiting for from the beginning -- the religious hypocrisy of the title character finally slips, the fondness he shows towards Elmire is now revealed for what it is -- lust -- and he makes a sudden move to seduce Elmire (whom he wrongly interprets as flirting with him). The shock of Tartuffe's sudden lechery must have an obvious effect on the audience -- on the one hand, depending upon how the moment is staged, the audience might feel they are witnessing a potential rape, on the other hand it is clearly...
But in any case, the audience knows -- as Tartuffe does not -- that Damis is hiding in the closet, so our anxieties for Elmire's safety are allayed. After Damis emerges in III.iv and announces he will tell Orgon what he has witnessed, we have a full expectation that the religious hypocrite will finally be exposed. After all, he has just exposed himself (on the hopes of exposing Elmire's naked body in the process).
Tartuffe, Swift and Voltaire In his own way, Moliere's Tartuffe represents one aspect of the Enlightenment, if only a negative one, since he is a purely self-interested individual who cares only about advancing his own wealth and status. He is a fraud, a con artist and a hypocrite who puts on a show of religion but is really only interested in stealing Orgon's estate -- and his wife. Orgon is too
Tartuffe "Let's not descend to such indignities. / Leave the poor wretch to his unhappy fate, / And don't say anything to aggravate / His present woes; but rather hope that he / Will soon embrace an honest piety, / And mend his ways, and by a true repentance," states Cleante at the final scene of Moliere's Tartuffe. The fact that Cleante offers forgiveness in a most noble manner reveals that
Tartuffe An Analysis of Hypocrisy in Moliere's Tartuffe No greater example of the religious hypocrite exists in all history than the example of the Philistine. What characterizes the Philistine (and all hypocrites) is something Richard Weaver describes as a barbarian desire to see a thing "as it is" (24). What Weaver implies is that the hypocrite, while making a great show of piety and the possession of virtue, actually lacks the interior
The places they live in and the things that surround them are in varying degrees atmospheric and expressive. In Tartuffe material objects, the props and the house itself, and the places alluded to? Paris and province, heaven and earth, palace and prison? have a particular importance (Hope 44). This does not tie the play to a particular time and place, however, but only shows the importance of locale to the action of
Tartuffe Moliere's Tartuffe is from 17th century France, during the Enlightenment, or the Age of Reason. Louis XIV, also known as the Sun King, was the ruler of France at this time. People in Paris were interested in Enlightenment values such as rationality, moderation, and order. Also, social graces, good manners, and gender roles were strictly enforced during this period. Moliere demonstrates all of these Enlightenment values in his play. The
It becomes clear that Tartuffe, as he becomes increasingly powerful in the play, considers himself above the others, and because of his "spirituality," he is above the laws of God, too. He tells Elmire, Orgon's wife, "I'll teach you, Ma'am, that Heaven's contradictions, give latitude to men of pure convictions. it's true that Heaven frowns on some dark acts, though with great men, our Lord makes higher pacts" (Moliere, Act
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