Freeing the Voice
Linklater's (2006) book 'Freeing the Natural Voice', and the introduction to the book, have the aim improving vocal communication. One thesis which may be extrapolated from in is that the natural voice may be seen as akin to a musical instrument capable of a wealth of expression, but the ability of individuals to fully express themselves with their natural voice has been constrained by blocks and inhibitions present in modern society. Understanding this potential constraint, and how it may limit the use of vocal expression, Linklater presents a work that aims to help the reader develop their vocal skills.
The introduction provides a basis for the thesis presented above. It provides information on the type of blocks are constraints which exist, and how they may be overcome. For example, Linklater (2006) argues that the first steps in overcoming limitations which lead speakers to stay with in speech patterns that are familiar, rather than natural, is physical awareness and relaxation. However, for actors there is a paradox, as they need to train their voices for their roles, rather than simply freeing them to express emotional impulses. In this context, the voice is more than the communication of words, but the communication of imagination through depth and tone (Linklater, 2006). Just as athletes may train their bodies, actors need to train their voices, and by freeing their voices from everyday constraints, there is a great ability to satisfy the demands...
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