Faulkner's attitude on race relations at the outset of the civil rights movement in the south is best expressed in one of his lesser works, Intruder in the Dust. The main theme in this book is a simple one: an old black man, Lucas Beauchamp, known for his temper is accused of murdering a white man by the name of Vinson Gowrie in the South, and his friends must prove his innocence against the backdrop of a society who sees his race as proof of his guilt. Moreover, it is the story of a white teenager, Chick Mallison, who must come to terms with the absurdity of racism in the context of a racist society that has taught him to embrace it. Chick is saved from drowning by Lucas, who pulls him out of an icy stream and refuses to take money from Chick as repayment for his heroic deed. When Lucas is later accused of murder, Chick is able to prove him innocent and it is the town that must come to reconcile its own reaction of having immediately put the blame for the murder on Lucas'es head.
Faulkner wrote his agent, Harold Ober, on Feb. 1, 1948 that the story was about "a relationship between Negro and white, specifically or rather the premise being that the white people in the south... owe and must pay a responsibility to the Negro." (UVA News, 1999) Faulkner had conceived the story several years before, and originally meant for it to be "a mystery story, original in that [the] solver is a Negro, himself in jail and about to be lynched." (A William Faulkner Encyclopedia, 1999) Beauchamp's life as a younger man was depicted in 'Go Down Moses,' where it tells his story in the context of life on a traditional plantation. The original 'mystery story' evolved into a completely different model, in which Beaucham relies upon a set of misfits to exonerate him: a white teenager, Chick Mallison; his black companion, Aleck Sander; and an elderly white woman, Miss Eunice Habersham. The relationship between Chick and Lucas has been likened to that between Huckleberry Finn and Jim in "Huckleberry Finn" and parallels can be drawn to Harper Lee's 'To Kill a Mockingbird,' which can be seen as the seminal work addressing the subject matter of wrongfully accused black men in the old south.
Faulkner's image of the black man is one of religious metaphor; nowhere is this more apparent than in the biblical allusion to captivity invoked by the title of Go Down, Moses, which invokes the kinship of Hebrew and Negro. The first section of that book could be considered a sequel to Intruder in the Dust. Molly Beauchamp, Lucas'es wife that is dead by the time in which Intruder in the Dust is set, is an old black grandmother who worries constantly about her criminal grandson who has left his southern homeland. She is unaware that he has become a criminal in Chicago, and is being put to death there for having killed a police officer. Instead she thinks of him as Benjamin, a captive in a foreign land: "Sold him in Egypt. I don't know whar he is. I just knows Pharoh got him. And you the Law. I wants to find my boy." (Malin, 1972) Gavin Stevens, the lawyer and uncle of Chick Mallison, attempts to help the Beauchamp family in both instances; in Intruder in the Dust he has his nephew go to the grave to get the evidence that the crime had not been committed by Lucas, whereas in the former book he had the body of Lucas'es grandson returned to the south. According to Irving Malin's William Faulkner, an Interpretation, His action is symbolic of the acknowledgment of the white man's debt...
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