Nevertheless, the specific tactics used by the FBI agents were themselves criminal actions that, in other circumstances and certainly nowadays, would have resulted in charges of official misconduct, criminal prosecutions of the agents involved ironically) for civil rights violations, as well as civil claims against the agents personally and the Bureau. The agents illegally abducted the mayor and terrorized him with the implied threat of castration. They coerced information from the deputy's wife, (who was not involved at all in the crimes), exposing her to grave danger and causing her to be subjected to a beating from her husband. They perpetrated another abduction in connection with a mock lynching of an uninvolved Klan member for the purposes of enlisting his cooperation as an informant. While it was not covered in the film, evidence that came to light much later suggests that the Bureau also used a known Mafia hitman to terrorize and intimidate information from the suspects.
Ethical Analysis:
Because the film opens with the murders of the civil rights workers and leaves no doubt as to the guilt of those responsible, it is difficult to sympathize with their deprivation...
Mississippi Burning The 1988 film Mississippi Burning depicts the total infestation of Mississippi government and civic society by racist rednecks. The Ku Klux Klan serves as a quasi-governmental and paramilitary authority that defies federal law. Their total infiltration into local governments makes the KKK an incredibly dangerous and powerful organization. Civil Rights legislation presents real threats to Klan authority. The KKK have no respect for the mandate of the federal government and
Membership in the KKK implies a support for hate crime; membership in the KKK is equivalent to membership in a domestic terrorist group. No Klan member can plead ignorance about the motives and tactics used by the organization. The organization exists to perpetuate a culture of white supremacy, by whatever means possible. Using violence, intimidation, infiltration of law enforcement, and conspiracy all point to terrorist acts. The KKK is
Mississippi Burning is an evocative movie that arouses horror over racial hatred. In fact, Director Alan Parker, in an interview, stated that the film's objective was precisely to "...cause them to react...because of the racism that's around them now..." (King, 1988, para.7). Parker does this by questioning the origins of the hatred through the characters in the film. Ward, the by the book FBI agent, expresses it eloquently when he
The efforts of the FBI to solve this case were certainly in the greater good, and they did solve the case, even though the trial was a mockery. It seems the FBI could have done more to have the case moved to a more neutral location to help ensure a fair trial, which certainly did not happen. Indeed, the FBI gave high priority to the case, and even opened an
" The rebel army thought nothing of stealing food and good drinking water from the citizens of Vicksburg. The rebel army authorities put 100 men in charge of securing homes and lives, but "over seventy-five of the men selected" for the policing duty were Creoles who spoke little or no English, and the troops pretty much took what they wanted. Many people became refugees and moved into tent cities outside
Faulkner's "Barn Burning" Annotated Bibliography William Faulkner's "Barn Burning" Ford discusses the narrative aging of the main character in "Barn Burning." Through the eyes of the brutalized child there is no real sense of his father's (Abner's) motivations and/or the son's characteristic numbness created by the self-preservation associated with the tragedy of abuse a cultural and personal phenomena. The work details by describing several passages in the work, and especially interactions
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