Julie's failed rebellion is the result of a "revolution that is unable to construe power in a new way. It dramatizes the sometimes pitiable, sometimes contemptible, vulnerability of one whose changing consciousness cannot create commensurate expression and one whose desires are easily twisted against her own interests. Read against the preface, as well as against Jean's judgments of Julie, the play conveys not a degenerate falling woman, but a woman who is beginning to move toward social and gender consciousness. Her recklessness attests both to her ignorance of self and world, and to her desperation. Her determination to satisfy her desires, which are more likely satisfied through social and personal change, leave Julie vulnerable to Jean's deterministic reduction of desire to vulgarized sexual need. Although her determination to fall is translated by the preface as determinism" it can also be seen as a challenge articulated through a radical reinterpretation of woman's role (Templeton 480).
The myth of Cinderella, although it suggests a radical role-shifting, does not fundamentally question notions of social class, given that Cinderella is revealed to 'really' be of higher birth than her status as a scullery maid in the cinders reveals. However, Miss Julie's vision is potentially radical -- she wishes to enjoy Jean as an equal, although her imagination is limited enough that her vision of equality entails dressing him in an aristocrat's garb. Jean's vision, it should be noted, despite his role as a bastion of culture as a male in Strindberg's view, is also quite narrow given that his fertile fantasy life has revolved around seeing Julie, and he rejects Christine when offered the possibility of elevating his status through sleeping with Julie.
Strindberg's...
Cinderella / Transformation Stories Variants on the "Cinderella" Story The Cinderella story is one that is much loved throughout the world; more than seven hundred versions exist. Many of these versions have been told for centuries. The story has universal appeal because of specific elements that are part of human nature. It is a story in which good triumphs over evil. It is a story that shows that dreams really can come
Cinderella archetype is manifest in characters like Mathilde Loisel in Guy De Maupassant's "The Necklace," Cinderella in Charles Perault's "Cinderella," Wassilissa in Russian folktale "The Beautiful Wassilissa," and Princess Ann in the 1953 film Roman Holiday. Guy De Maupassant's short story "The Necklace" is about a working class woman, Mathilde, who longs to be wealthy but learns a hard lesson about the illusion of glamor. Perrault's Cinderella is about a
Cinderella Perrault's "Cinderella" and the American Dream The Cinderella story has existed since the age of antiquity and has been told in many different cultures in as many different fashions. Yet, in America, one version stands out above the rest. Charles Perrault's version, popularized by Disney in 1950, became the standard, sentimental (Disneyfied) "some day my Prince will come" spawning fairy tale that became the classic progenitor of other animated features like
Cinderella: Or, On the Virtues of Shutting Up and Sitting Down There are many ways of critiquing folktales. However, they all agree on one central point: the tale is told to children so that they will behave. In less coercive terms, one might say the story is that so that the child will grow up to be a functional part of society. Either way, it boils down to the same thing.
Cinderella The Salvation of Cinderella: Moral Character and Virtue Two entirely different versions of the same basic theme show that gender norms and social roles remain relatively constant and consistent across cultures. The Disney version of the "Cinderella" story, which was originally a European folk tale, is about a girl who lives with her mean old stepmother and step sisters, who work Cinderella like a slave and treat her terribly. Cinderella eventually
The second significant difference between the French and Germany version of Cinderella is the tone used by the authors. Perrault provides a sense of triumph for Cinderella, a caring guardian in the fairy godmother and a positive moral at the end of the story. The Brothers Grimm use grotesque descriptions to illustrate the evil of the stepmother and stepsisters. They force Cinderella to separate lentils while they attend the ball. They
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