Michelangelo Biography and Detailed Information About One of His Art Works
Michelangelo was one of the most influential artists of the Rennaissance and of art history. Painter, sculptor, poet and architect, Michelangelo dominated the art scene for almost the whole of the 16th century. Born in 1474, he lived to be almost ninety years of age, time in which he left an unparalleled creation to the world.
In Michelangelo's time, the Renaissance period had reached its peak in Italy. Indeed, this was the time of art geniuses, such as Leonardo da Vinci, Raphael in Rome and Titian in Venice. Of all, Leonardo especially embodied the whole spirit of the Renaissance: he was perfectly skilled in more than one activity and excelled as a painter, as an inventor, as an architect or as a physicist. Perhaps of all, Michelangelo is closer to him through his multitude of aptitudes.
The High Renaissance and these painters especially have brought about a new trend in painting. The naive -like human bodies and figures began to be portrayed in tehir full body strength, as a boast for the human physical and implied spiritual beauty. In order to achieve a keenr reproduction of the human body, the painter began to study in detail the human anatomy, Leonardo being the first in this sense. A careful study of the muscles that for our body led to a more real represantation and portrayal.
Another characteristic of the High Renaissance period was the depiction of large scenes, huge paintings with mythological or biblical scenes. Let's take into consideration the work of Raphael in the Chambers of the Vatican Palace and especially the scene of the Fire of Borgia. Our attention is drawn here by the large mass of people in the painting: many characters, all with a life of their own, all expressing the human ideal.
This fructuous period for painting and art in general was mainly caused by the many commissioned that these painters received from the popes of the times and the princes of the Italian states. The Papal institution was rich and popes of the times were keen art lovers that encouraged art and the artists. It was also the case of the princely famiulies: let us only consider the Medicis in Florence, the Doges in Venice or the Visconti family in Milan: all interested in art, usually meant as a form to express their power. All these factors led to an uprisal of art in the 16th century in Italy, period that proved to be one of the richest in art history.
Artist's Biography. Patronage and Commissions.
Michelangelo was born on the 6th of March 1475 (1474 according to Giorgio Vasari) in the little village of Cassentino, outside Florence. He was the son of Lodovico Buonarroti, who was a podesta at that time for Chiusi and Caprese. He spent his childhood however in Florence, where his father returned and where Michelangelo went to grammar school under Francesco da Urbino guidance. As Giorgio Vasari mentions, early aptitudes manifested at Michelangelo who had little thought for school, but spent most of his time drawing and getting scolded by his father for it.
It was in this period that Michelangelo became friends with one Francesco Granacci, who was a young apprentice for Domenico del Ghirlandaio. Seeing Michelangelo's interest for painting and drawing, he would often take him to Ghirlandaio's studio where Michelangelo came in contact with the works of one who was considered at that time one of the leading painters of the Italian Renaissance. Michelangelo's father Lodovico decided to bring his son to Ghirlandaio's studio and leave him as an apprentice besides the master. Michelangelo was fourteen years old and Ghirlandaio would be his first art and painting teacher.
Giorgio Vasari lets us know that Michelangelo's great qualities immediately became transparent. However easy we might find this to believe, we should beware that Vasari was later a close friend of Michelangelo and his views may be somewhat subjective. Even so, Giorgio Vasari's "Life of painters, sculptors and architects" gives a good account of those times, albeit not always accurate. He recalls that one a day that Ghirlandaio was painting one of the chapels in Santa Maria Novella, in Florence, Michelangelo began drawing accurate sketches of the chairs and the scaffolding. On his return and on seeing the drawing, Ghirlandaio would have said: "This one knows more than me." On the other hand, Ghirlandaio was keen enough to see in Michelangelo's drawings the hand of a sculpture: his drawings reflected his inclinations towards sculpture and Ghirlandaio...
His loyal servant, Urbino, died too in 1556. Though he was known for his temperamental temper, tagged as the terrible Michelangelo, no friends or companions, had complexity in dealing with others and only used boys as his assistants, his desire to glorify and serve God through his works was insurmountable. His solitude reflects his attitude to be wholly absorbed and engrossed with his craft, sacrificing even his personal happiness for
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