¶ … Metamorphosis
Gender has always been based upon the society's ideas about male and female. This is different from the physical difference between the sexes. The concurrent psychology of the masses dictates what is considered to be proper or improper behavior for the given genders. Males are ascribed masculine traits and females are supposed to be feminine. Fictional characters are written by flesh and blood human beings and consequently the norms of the social order will bleed into their fictional creations. Female characters in a fictional work will have the same gendered notes as a human being and the same expectations based upon that gender. If they do not prescribe to the norms of their given gender, it is always for an artistic purpose which functions as the purpose of the piece. Franz Kafka's "The Metamorphosis" use the gender of their fictional protagonists to further the story and to make a comment on how society views and fuels stereotypical depictions of gender both in the real world and in works of fiction. The story, as read through the lens of psychoanalytical literary criticism could be interpreted as a story which is really about the relationship between the protagonist Gregor Samsa and his young sister Grete.
Franz Kafka's "The Metamorphosis" is about how hard-working Gregor Samsa, a young man who functions as the main bread-winner in his family, mysteriously turns into an insect one night while he sleeps. For a long time Gregor was the only source of income for the family...
Max is one of the central characters of the novel when it comes to the issues of Marxism because he blames capitalism entirely for the inequality of blacks; he believes that it is capitalism that has kept the black people oppressed. Max tries to show the jury that the case is not just about one black man and one black woman, but rather, it is about millions of blacks
Thus, Nora was controlled by Torvald in even her most mundane actions and behavior. Nora was also economically indebted to Dr. Rank and Krogstad, immediately explicating why she was willing to be controlled by these men. Her fear of being discovered by Torvald that she had borrowed money from Krogstad made her submissive to Krogstad's demand that Nora influence her husband to allow Krogstad to keep his job ("Do as
In the car Nick sees him look sideways as though lying and thinks "And with this doubt, his whole statement fell to pieces, and I wondered if there wasn't something a little sinister about him, after all" (65, Chapter 4). Nick's middle class ideology leads him to scorn those who would strive to get ahead. It is the traditional view of the underclass toward upstarts from within. In the
Gatsby Marx and the Great Gatsby In the 1920s, the United States was enjoyed a new and unprecedented period of industriousness and growth. Within this period, its advancement as a production society would seen one of its most torrid phases of expansion. But just as this time would prove the economic merits of capitalism, it would begin to demonstrate the considerable dangers that also accompany this system. This dichotomy is captured best
Another fundamental element of liberal theory and ideology is the right for each individual to pursue and hold private property. According to Locke, each individual has the opportunity and the right to work to better oneself through the accumulation and improvement of their own private property, "it is allowed to be his goods who hath bestowed his labor upon it," (Locke, 21). This is also a crucial feature in the foundations
E., by exploiting the working class and appropriating the "surplus value" produced by the working class for himself. (Marx, "The Production of Absolute Surplus-Value") the working class is forced to work for the capitalist since in the "Capitalist" stage of social development all the sources of production are in the hands of the Capitalist who deliberately keeps the wages at low levels by creating unemployment and a ready army of
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