¶ … Mentor for the Squire
The Canterbury Tales" and "Beowulf" were written centuries apart, yet, each work contains similar elements such as heroism and chivalry. Chaucer's tale, set in the late 1300's England, depicts English society as each character tells a story to pass the time during a delayed journey. The anonymous author of "Beowulf" sets his story during the sixth century and describes the heroic life of its protagonist. Both authors give a vivid insight into the culture and societal attitudes of their times.
Chaucer's England was based on societal structure. People belonged to certain class systems and remained there their entire lives. Chaucer gives the reader a sample of each class within his characters. The Plowman represents the peasant class, for example, and the Knight represents the person of highest rank among the author's characters. The Squire, basically a knight in waiting, is also of high social rank. Chaucer describes him as a fashionable young man, representing the latest style of dress. The embroidery, on the Squire's clothes, "not only makes his clothes look more handsome, but it makes him appear to be well-to-do and more desirable. His clothing shows him as a vain man indulging in minor illegalities to attract the attention of the opposite sex" (Pfister pg). The Squire is seen as a romantic and ladies' man:
lovyere and a lusty bacheler;
And what man that is wounded with a strook,
Shal never be hool, til that yow list of grace,
To stroke hym with the plate in thilke place,
Ther he is hurt; this is as muche to seyn,
Ye moote with the plate swerd ageyn,
Strike hym in the wounde, and it wol close"
Chaucer 1: 152-157).
The Squire would be most impressed with Beowulf, for he encompasses all that a knight should be, a true hero. Like the Squire's mythical knight, Beowulf embarks on journeys of epic proportion, slaying monsters and dragons. Moreover,…
Seamus Heaney Few writers can boast such an impressive volume of work as Seamus Heaney has produced in the last thirty years: nineteen books of poetry, nine poetry pamphlets, two books of selected poems, one-book length verse translation, three collection of essays, one play, and two anthologies of poetry. And few writers in their lifet6ime achieve the kind of popularity and reputation that Seamus Heaney has" http://www.amazon.com/gp/reader/0231119275/ref=sib_rdr_ex/103-2?%5Fencoding=UTF8&p=S008#reader-link Seamus Heaney is one of
Seamus Heaney's poem "Digging" and Peter Meinke's poem "Advice to My Son" both address the idea of family and how it is essential for connections between members of the family to be strong. Even with this, they both deal with the matter from different perspectives. In addition to the obvious fact that one concentrates on showing a son's feeling toward his father and grandfather while the other involves a father's
And indeed life was like the churning and stinking of the butter-making process. "Brains turned crystals full of clean deal churns"; this is the poet saying that living and thinking was a process like making butter; you have to have something of substance to begin with, then you have to make sure it is "clean" and finally, it is complete. Poetic form "is both the ship and the anchor," Heaney stated
Annotated BibliographyAlexander, Stephanie. \\\"They \\\'smelt of rot\\\': Abjection and Infection in Seamus Heaney�s EarlyWork.\\\" Estudios Irlandeses, Issue 18, 2023, pp. 11-24.In this scholarly article, Stephanie Alexander examines the early pastoral poetry of Seamus Heaney through the lens of Julia Kristeva�s notion of the abject. The article focuses on several themes, such as darkness, fear, and fertility. Alexander�s main argument is that Heaney�s poetry and the landscapes he presents are complex
Digging" by Seamus Heaney and "Father and Son" by Stanley Kunitz Comparative analysis of the poems "Digging" by Seamus Heaney and "Father and Son" by Stanley Kunitz showed that though both poems had used similar themes in discussing the father and son relationships of the two authors with their respective fathers, the utilization of poetic elements such as tone and diction, symbolism, and denotation and connotation greatly differed. In discussing the
Going further with the analysis, it could be stated that the Irish get answers to their dilemmas from their own cultural identity (which is nourished by the best values). The previous idea of Ireland being eternal is supported by the view according to which its history stretches to immemorial times: "Every layer they strip/Seems camped on before./The bogholes might be Atlantic seepage./The wet centre is bottomless" (Heaney, 25-28). The fact
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