(Euripides, ln 908-910) This is yet another way in which Medea parallels the position of women in our society today who are also expected to keep their feelings hidden. Medea has an inclination towards killing people as a way to solve problems. Long before killing her husband's wife or her own children, she had killed her own brother in order to escape a difficult situation. As a representation of all women in Greek culture, this is not an out of character action, for women throughout Greek mythology have been murderous. (Not that men in Greek stories are any less ready to slay another living creature!) Some may consider Medea to be evil because she resorts to homicide so quickly, while others see her as a neutral force like many powerful beings throughout time that create and destroy without much discretion. It accomplishes the goal of getting revenge and is therefore an acceptable means for Medea to use. It is a natural thing for her to do, and she speaks of it as a very matter-of-fact occurrence. "The most direct method is the best, the one at which I have a special skill." (Euripides)...
Medea is from outside of society and therefore does not live by the rules of that society. She is supported by other women, despite her unacceptable behavior. Women in Greek culture were understood to be passionate and even violent internally, but were expected to keep a calm facade. This frustrating position is part of Medea's character as well. Finally, it is simply in Medea's nature to kill people if it will solve a problem she is having.Medea relates a story about the power of love, which induces sacrifice as well as jealousy and feelings of revenge aroused by betrayal. Medea, the principal character, is a woman, who is so smitten by her love for Jason that she forsakes her family, country and people to live in "...the land of Corinth with her husband and children, where her exile found favour with the citizens to whose land
Medea Villianness, Victim, or Both? Medea has emerged from ancient myth to become an archetype of the scorned woman who kills her own children to spite her husband, who must then suffer the fate of outliving them. The story itself is horrific, and yet it remains strangely fascinating, and into the mouth of its maniacal heroine many writers have given philosophies which were too subversive to be voiced in open discourse. Many
Medea also uses her children by having them deliver poison in the disguise of gifts, as no one would expect the children to have ill intentions. The children present the gifts as a request to let them avoid banishment, but in reality the gifts have been sent not to aid the children's situation at all. Throughout the play Medea acts like a puppet-master using the children to get her
Freudian theory believes that extreme suffering removes own from the tamed state which each individual resides within civilization, "Just as satisfaction of instinct spells happiness for us, so severe suffering caused us if the external world lets us starve, if it refuses to state our needs," (Freud 28). Medea is so affected by her suffering that she removes herself from everyday life, "She lies without food and gives herself
The children are their mother's power in a very real sense. When Medea must appeal to the best intentions of Creon, she presents the case of her poor unfortunate children that are no deserving of any punishment. It is through his pity for the children that Medea is able to remain for a time long enough to fulfill her plans to get revenge. Again, her children assist her when
"As a female foreigner whose relationship with Jason was only formalized with the birth of the children, Medea would have been viewed as an irregular companion, and after Jason's betrothal to Glauce, she would be reduced to the status of concubine." (Guastella in Claus) This makes them a helpful tool in securing her bond to Jason. Another means by which they can be useful props for Medea is when she
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