Marhsall McLuhan - "The medium is the message"
This essay deals with issues raised by Marhsall McLuhan's famous dictum: "The medium is the message." It has 5 sources.
An analysis of Marshall McLuhan's essays investigating how this dictum applies and is supported or contradicted by the content therein. It also attempts to accommodate for modern technological trends such as the internet and takes into account the importance of other general media theories.
Marshall McLuhan (1911-1980) once wrote that he would never become an academic. Though he was learning in spite of his professors, he would eventually become Professor of English, in spite of himself. In a famous quote that is well related to his investigation of media, McLuhan says, "I don't explain, I explore." His explorations of media and their significance in our daily existence took him through James Joyce, the symbolist poets, Ezra Pound; back to antiquity and the myth of Narcissus, and forward to the mythic structure of modern Western culture dominated by electric technology. McLuhan's best known work, Understanding Media, first published in 1964, featured a dictum that gained him immense popularity - 'the media is the message'. The book focuses on the media effects that permeate society and culture. McLuhan stresses that the key factor and starting point in all this is always the individual, as media are merely technological extensions of the body. We shall now examine the background of McLuhan's ideas on the media being the message. (McAdams, 1995)
Analysis: In Understanding Media, McLuhan says: "In a culture like ours, long accustomed to splitting and dividing all things as a means of control, it is sometimes a bit of a shock to be reminded that, in operational and practical fact, the medium is the message." (7) He does not leave this theory unexplained or vague, but goes on to that the personal and social consequences of any medium - that is, of any extension of ourselves - result from the new scale that is introduced into our affairs by each extension of ourselves, or by any new technology." (7) He supports these initial claims by offering examples of the pros and cons of automation. The negative effect of automation, he argues, is that the new patterns of human association tend to eliminate jobs. At the same time, on a positive note, automation intensifies the depth of involvement and undoes to some extent the damage caused to human relations by preceding mechanical technology. Natural reactions to this examples and the initial premise would be to state that it is not the machine that is directly responsible for the negative or positive effects caused, but rather it is the actions perpetrated by the human controlling it that actually renders it meaning and message. Therefore, in the word of McLuhan, the restructuring of human work and association was shaped by the technique of fragmentation that is the essence of machine technology. The essence of automation technology is the opposite. It is integral and decentralist in depth, just as the machine was fragmentary, centralist, and superficial in its patterning of human relationships. An example offered is when the author says it is not really important whether the machine churned out Cornflakes or Cadillacs. By this he means that the real significance of the medium of machinery lay in how it effected our relations with our fellow beings as well as ourselves. (McLuhan, 1964)
McLuhan supports his arguments in many ways. He cites the example of the electric bulb, which he says is pure information. By itself, it has no real meaning or message, but is always instrumental in enhancing the effectiveness of another medium, such as a neon sign or billboard. From this fact, McLuhan concludes that 'the "content" of any medium is always another medium' (8). The content of writing is speech, just as the written word is the content of print, and print is the content of the telegraph.
These examples help clarify his theories and place his ideas in proper perspective. McLuhan further elucidates by saying that psychic and social consequences of the designs or patterns amplify or accelerate existing processes. The "message" of any medium or technology is the change of scale or pace or pattern that it introduces into human affairs. (8) He continues to offer examples in the form of railroad developments and the consequences of advances in aeronautical engineering on human relations and perception. Returning to the bulb, he says: "Whether the light is being used for brain surgery or night baseball is a matter of indifference."(8)
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