Maxine Kingston's Contribution To Literature
Maxine Kingston's Contribution to Contemporary Literature
Maxine Hong Kingston's literature falls into the Contemporary Literature movement and many critics consider her work to be an important contribution on the feminist front as well as that of Asian literature. Kingston was born in Stockton, California in 1940 and is the best recognized Asian-American writer of today. (2094) The Woman Warrior demonstrates the struggle experienced as a Chinese-American growing up in America as well as focusing on other issues such as success and mother-daughter relationships. The Woman Warrior is able to tell the story of one woman who discovers her self through overcoming the memory of her heritage and finding her place in society.
The Woman Warrior is formed from what many critics like to call fiction and fact and memory and imagination (Lauter 2094). The book examines the "difficulties in Kingston's development as a woman and as a Chinese-American" (2094). Because of it's nature and style, the book demonstrates how stories can "shape character and behavior" (2094). These stories are important because Kingston is able to develop her own sense of self by writing them. Kingston is able to learn from each character's circumstance and is able to develop her own strength of character.
Each chapter in the novel revolves around a female character that affects Kingston's life.
Most of the stories illustrate how the female is affected by and relates to male-dominance in society. Perhaps one of the most interesting aspects of the stories is the fact that the women often hold themselves...
Her visions of her mother as some kind of monster-deliverer appear in Kingston's nightmares. She states on page 86, "My mother has given me pictures to dream -- nightmare babies that recur." The grotesque imagery of her mother delivering monsters corresponds also with her dreamlike memories of foods they ate when she was a child in China. The images converge in Kingston's head to provide the foundation for her
It is true that while Kingston can use irony against the stereotypes of passivity imposed upon Chinese femininity, at other times she seems to use these stereotypes less self-consciously. Her portrayal of her mother calling white people 'ghosts,' and her decision to name her mother Brave Orchid, seem to reflect cultural construction of Oriental women and Asians in general as superstitious and somewhat primitive in their understanding of the world.
Woman Warrior My aunt haunts me -- her ghosts drawn to me because now, after fifty years of neglect, I alone devote pages of paper to her," (16). Aunts, the sisters of fathers or mothers who serve as surrogate female role models, play a central role in Maxine Hong Kingston's The Woman Warrior. However, Kingston's aunts are no warrior women; in fact, "No-Name Woman" and "Moon Orchid" embody the antithesis
Maxine Hong Kingston's memoir, the Woman Warrior, may be considered a microcosm of the work as a whole. The section "No Name Woman" incorporates the recurring themes of silence, invisibility, ghosts and using words as weapons. It is argued, that the story's central theme is the process of "finding a personal voice" (Ling). This is mainly about the Aunt, but also about the mother and the narrator. It is a
Woman Warrior Maxine Kingston's Woman warrior has been a controversial addition to the literature written by Chinese-American writers. The writer has tried to answer the critical question of Chinese-American identity and hence been criticized for adopting an orientalist framework to win approval of the west. The woman warrior speaks of a culture that neatly fits the description of the "Other" in the orientalist framework. It appears alien, remote and immensely
Forbidden Face and the Woman Warrior In My Forbidden Face, Latifa narrates a poignant coming-of-age story of a young girl growing up under the brutal regime of the Taliban. Latifa skillfully pulls the reader into a world that seems that of a typical teenager. She writes of "college, girlfriends in search of music tapes, film videos, novels to read avidly in bed in the evening" (11). Latifa's protected world collapses when
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