Maus 1, Maus
Art Speigelman's works Maus 1 and Maus 2 serve as an exploration of the father and son bond after an traumatic event, the Holocaust and how it influences relationships. These works act as a way to explore such stereotypes about Jews and the aftermath of the Holocaust especially exploring how it affects the next generation.
Such a situation creates many dilemmas for the offspring of the survivors such as guilt, remorse, jealousy and envy. In the case of young Artie, he seems obsessed by the past as if it will shed some light on his father's thoughts and actions. He is plagued by the shadow of an older brother he never knew yet envies because his parents cannot let him go. It seems ironic, almost sarcastic that such a story should be presented in the form of comics but in this method of storytelling Speigelman is able to present the father's survival of one of history's most horrendous nightmares. He uses the metaphor of the mouse the rodent in his Jewish characters while the Nazis are the cats who hunt them. Nonetheless, this animal imagery does not detract from the serious subject t matter of the horror of the Holocaust but acts an agent to emphasize the familial tensions of the Speigelman family. In this way, use of comics acts as a way of presenting the subject matter for mass consumption. The writer/artist makes the subject matter tolerable or easy to take. Comics simplifies the content for the audience. What the author...
Art Spiegelman, Maus Art Spiegelman's classic graphic novel Maus -- published in two parts, in 1986 and with a sequel five years later in 1991 -- depicts not just a "survivor's tale" from Auschwitz as advertised in the subtitle, to a certain degree the "survivor" of the title is also Art Spiegelman himself, who seems to be wondering throughout the text how it is that he has made it thus far
Art Spiegelman's Maus II, a continuation of the story in Maus I, is part of a new approach to the telling of the story of the Holocaust. The form selected is the comic book format, and it has a number of powerful advantages. First, it is a fresh approach to a much-told story. Second, the use of the mouse characters interestingly humanizes and personalizes the tragedy much more than might
The function of myth in social cultures is explored by Mary Barnard in her the Mythmakers in which she investigates the origins of ritual in folklore, history, and metaphor. In addressing such a wide scope of material, she came to the conclusion that the origins of many mythical personas/deities related to a single familiar theme: intoxication (4). Her discoveries became offshoots of CG Jung's definition of mythology: Myths are original revelations of
4. Alexandre Gabriel Decamps Figure 8. Alexandre Gabriel Decamps' "The Monkey Painter," 1833. (Source: http://dalihouse.blogsome.com/2007/04/26/beasts-get-the-babes Figure 9. ( Source: http://www.artandpopularculture.com/Image:The_Experts%2C_1837_by_Alexandre-Gabriel_Decamps.jpg) Alexandre-Gabriel Decamps was an artist who often used animals portrayed as human beings to satirize society and especially the formal artistic community of the time. He was opposed to falsity and pretentions and the often biased views of the academic art coterie of the time was a subject of some of his works. This can be
Book Censorship: An Advocacy EssayI. INTRODUCTIONToday, the debate over book censorship in the United States is not only heated and emotionally charged, it has resulted in actual violence in the nation�s communities. The reasons that some groups want books in the schools and libraries censored are multiple, but they all boil down to fundamental disagreements concerning what types of materials young people should be allowed to read and discuss. Certainly,
Postmodern Literature Final In terms of the use of experimental techniques in the assigned readings this semester, I think I would judge Vonnegut to be the best and Ishmael Reed to be the worst. The simple criterion here is accessibility. There is no reason why experimental writing should be difficult or a chore to read. The constant emphasis on a surface level of linguistic novelty in Ishmael Reed makes the actual
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