Mary Rowlandson & Increase Mather
Readers of Mary Rowlandson's narrative of Indian capitivity within the Puritan colonization of Massachussetts may very well wonder at what Increase Mather's influence on the original text was. It is now widely agreed by scholars that the preface to the book is Mather's work -- and his official imprimatur may very well have contributed to the remarkable popularity of Rowlandson's work. As testament to the popularity of Rowlandson's book on its original publication in 1682, Greene notes that "the first edition is not known to survive…the rarity of the book grew out of its wide popularity: copies were read to pieces," going through "more than thirty editions" and retaining widespread popularity well into the nineteenth century. (Greene 25). Because of Mather's proprietary role in guiding Rowlandson to publication, and including a sort of instruction on how to read her work, scholars have been quick to suspect perhaps Increase Mather had a hand in the actual composition of the text. Traister is typical of the scholarly consensus in stating that "we should be careful, given the lack of a corroborative archive, to assert an account of the text's creation in which authorship is shared by Rowlandson and Mather together," although she acknowledges it as a possibility at least (Traiser 334). But I would suggest that the influence of Mather is palpable upon Mary Rowlandson is palpable regardless of his actual role in the composition. To a certain degree, Mather -- in providing the public voice of the peculiar offshoot of Calvinist theology to which the American Puritans subscribed -- had already outlined the means of interpretation, or heuristic, whereby Rowlandson and the larger society of which she was a part (and from which she was abducted) were able to read or write at all.
To a certain degree, we must necessarily understand Rowlandson within the specific religious context of American Puritanism, of which Increase Mather is a representative example. Faery notes that the original readers of the text would have no choice in reading Rowlandson this way: as she wryly observes, "When the first edition of Rowlandson's text appeared, it was literally bracketed by the voices of Puritan clergymen: Mather's preface precedes her narrative, and Joseph Rowlandson's last sermon, preached just days before his death, followed it in early editions. The preface makes clear why this tale written by a woman must be enclosed by authoritative male voices: their function is to foreclose the possibility of her text's being read in ways that would render Puritan race and territorial politics subject to critique" (Faery 126-7). Mather specifically (if anonymously) recommends Rowlandson as a pious model worthy of imitation, and it is this factor which specifically seems like religious approbation inviting the text to be read for its piety, especially when it contains such nervous subjects for the Puritan culture as ethnic otherness (the Indians who held Rowlandson captive) and sexual roles (Rowlandson is a woman, and to some extent requires a preface by a clergyman to vouch for her purity after so long a sojourn among the heathen, during which time she might well have become a love-slave or something). Potter thinks that Mather's preface is nervous about Rowlandson's gender, and on the one hand "establishes an example demanding 'imitation' but even in so doing it reminds the reader that a feminine public voice in any other forum demands the casting of explicitly negative refelction." (Potter 156). In other words, it is only because she has been examined for her piety by Mather that Rowlandson is able to overcome assumptions about her gender to be able to find her voice to write at all.
But the question remains of Mather's influence over the actual writing. The reader is immediately struck by the heavy use of Biblical quotation within Rowlandson's writing; Downing, who had nothing better to do than to count the instances, says Rowlandson "draws on scripture more than eighty times" in the course of the short narrative and I see no reason to doubt him (Downing 252). The actual number is not the point; the frequency is. This heavily religious bent in the actual composition is one of the chief reasons why Mather's interference in the actual text of Rowlandson's captivity narrative has been so often suggested by scholars. As Traister rather winningly asks:"To state the question bluntly: did Mary Rowlandson or Increase Mather insert all those Bible references?" (Traiser 334). But the simple fact is that Rowlandson's husband (before his death) had been a Puritan preacher as well -- hence the inclusion of his final sermon in the earliest editions of the narrative -- and...
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