Within this shared common language they are able to see a commonality or a common existence and, despite the many other differences that exist, this common thread will hold a society together.
Thus, it can be said that, according to Marx, language is the great equator. Within language a society is able to claim equality as, at least at the time of his writing, societies, regardless of how many classes it may have had, shared one basic language. However, this is not necessarily the truth today. As societies become more and more intermixed, due to immigration and the global economy, languages are beginning to clash and the emergence of class-based languages are starting to arise (such as Ebonics). When these clashes occur, one begins to see sub-societies rally behind their language and thus, their right to identification. When someone else tries to translate ones language as being the foreign one, the great equator of language begins to unravel and thus so does the ties that bond the society.
This belief is along the lines of how Kafka viewed the Yiddish language. Kafka existed in a unique world as he was a German speaking, Czech Jew. Thus, he, in a sense, represented the modern day, mixed-language society. However, although Kafka saw Yiddish as a limited language, he still held it dearly as, according to him, it was in Yiddish that Jews could find their true...
Kafka's Metamorphosis Metamorphosis: Transformations The Metamorphosis as authored and offered by Franz Kafka in 1915 is often labeled as one of the more transforming, to use a pun, works in the history of literature of the last century or two, if not well beyond that. Anyone who reads the book should obviously take note of the fact that the points being made are more abstract and figurative but this does not mean
20th century humanities or modernism is the assumption that the autonomy of the individual is the sole source of meaning and truth. This belief, which stemmed from the application of reason and natural science, led to a perpetual search for unique and novel forms of expression (Keep, McLaughlin, & Parmar). Thus, it is evident that modernism discarded the Renaissance period's interest in the classical tradition and universal meaning, in
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