In describing what sounds like the perfect symbiotic relationship: "The words we had were the right ones; we were easy and right with each other, as it happened, natural, full of love and trust. 'Look,' one of us would say to the other, 'here is something new, something that we have not seen together'" (154). This last sentence is especially important -- it is not only the ability to converse and share ideas with another that makes language such a defining feature of humanity and consciousness, but it is the coupling of this ability with the ability to imagine that other -- and thus oneself -- without another, in an entirely separate context, that makes language spectacular in this instance. The idea of shared experience necessarily implies the concept of solitary experiences, and it is imagination and language's ability to bridge the gap of separate self-hoods and create an awareness of self and other that makes humanity what it is.
The truly far-reaching implications of Momaday's thoughts on the creative aspect of language and imagination become clear in his book The Way to Rainy Mountain (1976). In this book, the author visits the story of the Kiowa people, the people of his own heritage if not of his language. Throughout the story of their travels, imagination and language take on highly creative roles, organizing the world into intelligible units and forces that can be manipulated only after they are understood. Language does not just allow for a sense of self, but also for an understanding of reality.
This is made especially clear in the prologue, in which Momaday reflect on the stories of the Kiowa's origin and their migration from their original homeland in this manner: "the way to Rainy Mountain is...
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