¶ … Gloria Naylor's novel Mama Day, a bevy of individual characters interact with one another in the American south and in New York City. The characters try to negotiate the differences between mysticism, magical abilities, and reality. At first, it appears that the theme of the novel seems to be how these characters react to the spiritual or magical occurrences in the story, such as the mystical poisoning of one of the main characters, Ophelia "Cocoa" Day, by a jealous woman, Ruby, who thinks Cocoa intends to steal her man. In the story, the main male character marries Cocoa and thus has to justify his understanding of the world with the more accepting and open-minded opinions of the southern people. George is disbelieving in magic as well as the superstitious elements of the people of Willow Springs which is so unique that it does not even reside in any of the fifty United States. This disbelief eventually leads to George's unexpected death from a sudden heart attack when Mama Day asks him to perform a task in order to save Cocoa from her mysterious illness. Certainly the story is full of a series of extremely powerful women who possess amazing abilities that may or may not be explainable through scientific or logical reasoning. However, the mysticism is really just a catalyst for showing the extremes of gender debate and the quest for power by each of the partners in a male-female relationship. Mama Day is about magic, but it is far more about the ways that men and women treat one another in this world. It is about how something that begins as a loving, happy relationship can easily and quickly disintegrate over even the shortest period of time unless the participants of that relationship are willing to compromise with one another, to care, and to attempt to understand. Through four male-female relationships (Sapphira and Bascombe Wade, Cocoa and George, Miss Frances and Ruby and Junior Lee, and finally Ambush and Bernice) the reader sees the different ways that men and women fight for power in a couple and how that power struggle is ultimately unimportant. The first pages of the novel's introduction tell the narrative of a long ago slave woman named Sapphira Wade who was reported to have possessed amazing magical powers. The stories of this woman have passed down through the community of Willow Springs for generations. Everyone in the community knows about Sapphira Wade and the things of which she was capable. Sapphira's story is the singular folk tale of the region and the people of Willow Springs believe in the story wholeheartedly and use the story to explain and compare their current lives with hers. Among Sapphira's many reported powers was her ability to control the actions of a white male slave owner who was her master until she decided to change their relationship. Although no one knows for certain how Sapphira influenced his life, some say she smothered the slave owner, others that she stabbed him to death in his kidneys, and the rest believe that she poisoned him, what all these stories have in common is the idea that this woman was able to psychologically dominate a person who was supposedly her superior and then physically dominate him by killing the man. Sapphira, in all versions of the story, murders Bascombe Wade the slave owner in 1823 and somehow got possession of all his lands which have then been passed down to black people of Willow Springs upon the occasion of her death. "Mixing it all together and keeping everything that done shifted down through the holes of time, you end up with the death of Bascombe Wade (there's his tombstone right out by Chevy's Pass), the deeds to our land (all marked back to the very year), and seven sons" (Naylor 3). The people of Willow Springs believe the story is true and prove it by proclaiming themselves related to the characters in that ancestral story. The narrator of this section states that Mama Day and her sister Abigail were the descendants of those seven sons. As a woman, Sapphira Wade was supposed to be meek and mild, the epitome example of the weaker of the two sexes. As a black woman, she is doubly supposed to be subservient and dutiful to her white master and to all white people. Despite what she is supposed to be in direct defiance...
Through the course of history, the people attributed more and more magical abilities to Sapphira even believing her capable of surviving lightning strikes. The logical conclusion is that since Sapphira was able to overcome the limitations of her gender and her race, the people assume that she must have some magical powers because there is no possible way that an average, good-hearted, proper, Christian woman would be able to do what she was able to do.Journey into Night It is an irony of Eugene O'Neill's career that his large-scale expressionist dramas of the 1920s and 1930s -- which earned Pulitzers for works like Strange Interlude and ultimately the Nobel Prize in Literature for O'Neill himself -- seem to have fallen entirely out of the repertory, and O'Neill is remembered chiefly for his least characteristic plays: Long Day's Journey Into Night and The Iceman Cometh. O'Neill's
Eugene O'Neill (1888-1953) is one of the most prolific, most highly recognized American playwrights of the 20th century who sadly had not real American contemporaries or precursors. O has been the only American dramatist to win the coveted Nobel Prize and while his work is for American audience and is certainly American in most respects, we notice that he has been greatly influenced by European writers and thinkers who shaped
Alice Walker Character Analysis of Maggie and Dee in "Everyday Use" by Alice Walker In the story, "Everyday Use," Alice Walker discusses the issue of family relationships and its eventual disintegration, which is synonymously illustrated by the disintegration of the African heritage that the narrator of the story clearly talks about through the narrator's daughters, Maggie and Dee. The theme of cultural disintegration is represented by the characters of Maggie and Dee
Again, he uses dialect that his fans can relate to instead of being concerned about 'proper English'. This is very effective at making the words identifiable to his audience. The more people can relate to what you are saying, the more likely they are to take it to heart and actually do what you are asking them to do: "It's time for us as a people to start makin'
Antonia: Introduction etc. The landscape of the agrarian lifestyle in Nebraska is such that Mr. Shimerda is the least suited for this type of life. He has the soul of an artist and so longs for a more refined world in which to express himself. He is a man who needs to live among people with ideas who express those concepts in conversation, which is not the world he finds
Soul City As long as I can remember, I've been able to read the minds of men. Mostly men, although some women also yield themselves to me just as readily as they do. When I was in my mother's womb, I could sometimes hear her singing to me. She'd rhyme my name with big words like soliloquy and annuity and anonymity. But my name was no accident. My mama knew I
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