Stephen Crane's novella, Maggie: A Girl of the Streets, was written during America's "Gilded Age" which was the era from the end of the Civil War to the turn of the Century. The name was given to the period by Mark Twain and Charles Dudley Warner, who poked fun at the period for its rampant corruption. During this essential time of American development, New Yorker's were categorized into two different

Her husband ignores her and as she becomes increasingly aware of the wallpaper, she is slowly losing herself. Her worst obstacle is not her illness but her husband and this is the reality that Perkins-Gilman establishes. The conclusion of the story brings us to the realization that the narrator will suffer because she is a women and she finally loses the battle when she confesses that she has "got

The fact that a novel in the sentimental and seduction genre attained such heights of popularity is, in the first instance, evidence its impact and effect on the psyche and minds of the female readers of the novel. As one critic cogently notes: Why a book which barely climbs above the lower limits of literacy, and which handles, without psychological acuteness or dramatic power, a handful of stereotyped characters in

Huck has been raised to treat African-Americans one way but his instinct tells him something different. He does not quite understand the idea of slavery because he is young and he can still see the cruelty behind it. He does not see class as the adults around him do. When he struggles with turning in Jim, he finally decides he cannot do it. He states, "People would call me

Sexual Objectification of Women in Music When compared to the female singers of the early 20th century, the women in music today represented a much more blatant example of sexual objectification. This is not to suggest that three-quarters of a century ago women were not also objectified; it is simply to acknowledge that the objectification has been amplified to such a degree that women in music are eroticized in their music