The situation is different in Henry IV, where the main character, prince Hal as he is called by his friends, will ascend to the throne in the second part of the play in spite of his past as a villain. As the play begins, we see the king Henry IV, prince Hal's father, caught up in the midst of a civil conflict with Hotspur and the entire Percy branch of noblemen, because of a debt he had failed to pay to them.
During this conflict, Henry shows his bitterness at not having his eldest son, prince Hal to help him in the military matters. Hal is, at this time, with a group of rogues and villains who accompany him in his unlawful actions. Falstaff is the most famous of these, and seems to be Shakespeare's best known personification of falseness (a word from which his name is undoubtedly derived) lying and deceit. Falstaff uses dissembling as a means to achieve both fortune and fame, pretending even to have killed Hotspur in the battle. But even more so, he achieves through permanent lying to create almost a myth about himself, arguing through such skilled rhetoric that he even overtake Richard III, that honor and morality are of no use whatsoever and that they lose their value as soon as they are opposed to the only true thing there is: life.
Although Falstaff proves to resemble Richard III in his designs and in his love for his own self, and also in his skill for lying, nevertheless, he is not altogether evil as Richard is, but rather a villain who is also an Epicurian philosopher and who believes that life and its pleasure are the only realities of the world.
There are other dissemblers in Henry IV, and Hal is perhaps the best example. He keeps company with Falstaff and his other friends and participates in their depravity and cheating for a long time, and his behavior determines his father to threaten him with disinheritance and loss if his rightful claim to the throne,
However, in one of his speeches he clearly proves that his behavior and his villainous...
SHAKESPEARE'S RICHARD III AND TEY'S RICHARD III This paper explores the differences between Shakespeare's account of Richard III and Josephine Tey's Account of the same. The paper reasons out the causes of differences. COMPARISON OF SHAKESPEARE'S RICHARD III AND TEY'S RICHARD III Shakespeare's descriptions of Richard III have been the most popular historical account. He describes Richard to be a physically deformed individual with his deformities eating away at his mind and soul
" James a.S. McPeek further blames Jonson for this corruption: "No one can read this dainty song to Celia without feeling that Jonson is indecorous in putting it in the mouth of such a thoroughgoing scoundrel as Volpone." Shelburne asserts that the usual view of Jonson's use of the Catullan poem is distorted by an insufficient understanding of Catullus' carmina, which comes from critics' willingness to adhere to a conventional -- yet incorrect
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