Verified Document

Ludwig Van Beethoven Was Born Term Paper

In fact, the last minute and a half of the second movement of the String Quartet develops a different theme from the beginning of that movement. During the first few minutes of the second movement the cello is absent, and around the four-minute mark of the movement, the higher stringed instruments solo once more. The last minute an a half serve as an overall resolution to the piece, but do not significantly alter its general monothematic feeling. Some staccato strings indicate a definite ending to the movement. The third movement of the String Quartet (Scherzo: Allegro), incorporates counterpoint and is the piece's most dramatic movement. Just like the first movement, this allegro piece undergoes several thematic changes. After the first two and a half minutes, the movement becomes frenetic, with the violin serving as the primary carrier of the melody. However, the contrapuntal energy of this third movement is remarkable and complex. This movement acts as the overall climax of the entire string quartet; some moments are melodically complex enough to almost seem orchestral. At the end of the movement, the counterpoint fades as all the instruments take turns playing the same melody line. This serves to unify all the themes of the segment.

The fourth and final movement of Beethoven's String Quartet Opus 18/6 is intensely slow, beginning as a largo piece and is almost dirge-like. The viola opens the movement, followed by the violins and at 1:21, the cello enters. When it does it seems sinister, evocative of silent horror films. At about 2:50 the movement grows more intense, dramatic, and even sad in tone. At about four minutes, the cello and violin exchange words as if in conversation with one...

At 4:28, the theme of the movement shifts as the composer incorporates contrapuntal elements and conveys a more upbeat and lively tone. All the instruments combine to impart the melody; no one instrument rises to the fore at the middle of the movement. Remarkably, Beethoven includes elements of dance forms into this, the longest of all the four movements of the string quartet. The movement reaches a crescendo at around the seven-minute mark; th4e cello cuts out for an entire minute afterwards. Slowly the piece evolves until the last minute and a half, when a dance feeling creeps in once more, allowing the violin to carry the melody. Some counterpoint returns as well, and a brief code-like ending finishes the 10-minute plus segment, ending the String Quartet Opus 18/6 on a delightful, satisfying note.
Listening Chart for Beethoven's String Quartet Opus 18/6: First Movement (Allegro con Brio Sonata Form)

0:00 Theme 1: Introductory, one violin is constant and in the background. Cello and violin trade melodies; cheerful feel.

0:48 Theme 2, after a crescendo and transition. Softer feel, different melody.

1:30 Theme 1 lead violin and cello play the same melody line back and forth as if conversing with one another or imitating one another.

2:25 Theme 2 is softer, the cello cuts out for a while to leave only violins and viola

2:55 Theme 2 continues but cello enters; theme grows anxious in tone. The two themes interweave or create a third theme.

4:45 Theme 1

5:15 Theme 2

6:13 Theme 1 and 2 intertwined until coda at 6:30

Works Cited

Ludwig van Beethoven Information."…

Sources used in this document:
Works Cited

Ludwig van Beethoven Information." Searchspaniel.com http://searchspaniel.com/index.php/Ludwig_van_Beethoven.

String Quartet Information." Searchspaniel.com http://searchspaniel.com/index.php/String_quartet.
Cite this Document:
Copy Bibliography Citation

Related Documents

Beethoven Ludwig Van Beethoven: His
Words: 902 Length: 3 Document Type: Essay

The originality that this enabled -- or rather the complete state of non-hindrance that this created for the originality that existed in Beethoven already -- is the other major source for Beethoven's influence. That is, the innovation that Beethoven created all but necessitated the composer's inordinate influence on the trajectory of Western music; his sound was at once rooted in the technicalities and tones of the last generation of masters,

Beethoven the Music of Ludwig
Words: 991 Length: 3 Document Type: Research Paper

One of the most well-known work from this period, the 9th Symphony, represents very well the inner turmoil of the composer and is very characteristic of other work published during this Late period. Many historians also consider this symphony to be the greatest piece of music to be ever written (Cook, 1993). It also happened to be the very first symphony using voices; the chorus can be heard in

Beethoven Immortally Beloved: The Life
Words: 1023 Length: 3 Document Type: Term Paper

Beethoven's style disturbed him, causing Beethoven to seek instruction elsewhere, including that of Mozart's rival Antonio Saleri ("Ludwig van Beethoven," the Columbia Encyclopedia, 2008). For awhile he lived in the aristocrat Prince Lichnowsky's mansion and began to secure fame as a 'dueling' piano player and composer. "Beethoven's rivals always retired, bloodied, from such combat. While he made enemies of many pianists in Vienna, the nobility flocked to hear him....

Beethoven the Great Symphonist in
Words: 886 Length: 3 Document Type: Essay

...a symphony which could present its creator's image of the world," a concept which "lay at the heart of the Romantic revolution" and through which Beethoven "first brought Romanticism into Western music ("Ludwig Van Beethoven," Internet). Of course, it is Beethoven's momentous and magnificent Symphony no. 9, the Choral, which continues to thrill music lovers all over the world. This incredible piece of music stirs up a galaxy of human emotions,

Beethoven and His Symphonies Beethoven
Words: 1969 Length: 5 Document Type: Term Paper

7). It is the only symphony out of the nine for which Beethoven chose the key of a. In form, the symphony is not strikingly different from his previous six symphonies but the way in which the power and the beauty of thoughts have been treated gives it a unique "romantic" air. In the Finale, this 'romance' develops into "a vein of boisterous mirth" that had not been seen

Beethoven's Fifth Symphony
Words: 552 Length: 2 Document Type: Essay

Beethoven's Fifth Symphony Beethoven's Fifth: Classical music is still often the most powerful in eliciting an emotion or portraying a feeling. We hear it utilized in many movies and other important social events, for example. However, certain classical music has been utilized in very important events. This is the case with Beethoven's Fifth Symphony, a true symphony of sounds, omnipresent and showing such genius, that it was utilized by American and Allied

Sign Up for Unlimited Study Help

Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.

Get Started Now