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Lowell In A Fable For Critics, James Essay

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Lowell In A Fable for Critics, James Russell Lowell pays tribute to his contemporaries with a sort of poetic roast. Although Lowell may not be joking, the overall tone of the lengthy poem is satirical. The assessments of authors like Emerson, Bryant, Whittier, Hawthorne, Cooper, Poe, Irving, and Holmes occasionally come across as jibes. Yet often, Lowell gushes with admiration and respect for his fellow writers. Lowell consistently and liberally uses hyperbole throughout A Fable for Critics. For example, he calls Emerson's words "like gold nails in temples to hang trophies on," (line 2). He also uses romantic imagery and metaphors like the one describing Emerson as having a "Greek head on right Yankee shoulders," (2nd stanza). Just as Lowell seems to be admiring Emerson, he launches into some harsh criticisms. For example, Lowell states that Emerson speaks about ideas like they were "fossils stuck round in a cabinet" and that he is "one part pure earth, ninety-nine parts pure lecturer,"...

Emerson's words are precise and hover between poetry and prose, but his ideas seem uninspired and even "dead."
Compliments for Bryant include that he is "quiet," "cool," and "dignified," (3rd stanza). In part two of A Fable for Critics, Bryant uses a play on words and creates a portmanteau "iceolation." The portmanteau combines Lowell's assessment of Bryant as being cold and isolated. Lowell uses an extended metaphor to solidify his ideas. Being too cold is not a desirable thing as a writer; Lowell urges Bryant to loosen and soften up his writing. Bryant "has a true soul for field, river, and wood in him," and his heart is in the right place. Unfortunately, Lowell claims, Bryant's writing is too stiff.

Whittier is described as a Quaker, which Lowell uses as a springboard for calling him "drab." Yet Lowell also notes that Whitter has the "swing" of the "true lyric bard and all that kind of thing." In fact, Whittier's main fault is also his strength.…

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Lowell, J.R. (n.d.). A Fable for Critics. Retrieved online: http://www.readbookonline.net/readOnLine/1163/
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