¶ … Love Yous are for White People Lac SU begins the first chapter with his recollection of his family's escape from Vietnam when he was five years old. From the very beginning he manages to highlight some of the realities of his life there with his family. Though his father was forcing him and his three-year-old sister to run fast, he mentions he was happy because at least he was spending some time with Pa. It is clear that the difficult life they had in Vietnam kept his father away from the family most of the time. As we read further, Su offers details of their pre-escape life in Vietnam. His father fought against the Communists and their city was later taken over by them. So, they were trying to survive under harsh conditions. Su's environment was filled with violence from his childhood. He vividly explains those perhaps to build a context for talking about the rest of his life -- which would also be filled with violence. Su places so much emphasis on violence that at one time he describes the cries of his sister, Quy, as "bloody murder"...
Later, when he recalls the happy times he spent with his one-year-older friend and would-be brother Vu, it also ends tragically: Vu's death. That's unfortunately not the end of tragedies and violence. It is just the beginning as we read through further his journey. In his discussion of his father, it is also clear that Pa is a tough father who expects from his son a responsible and very "manly" behavior. When Su cries in the face of storms of the sea, Pa tells him: "Quit crying and take care of your sister . . . Live up to your responsibility as big brother. You will see worse than this" (Su 12). This is just the first chapter of the book but it is already laden with nightmare. Nevertheless the story is also captivating. It is hard to be in Su's shoes without experiencing what he has experienced. For me personally, reading about his survival of horrendous conditions gives me strength -- just like these hardships gave Su strength when he began writing although Su is stronger.
Lac talks about his journey into what he calls the "thug life." He is more into the Vietnamese gang headed by Dragon Head. They drink a lot, curse all the time, and go into somebody's house to rob. They steal money, jewelry, and whatever of value they can find in the house. It turns out that the owner of the house is the father of Lac's classmate. Although Lac
Crisis of Asian Identity I don't see what's so great about living in a neighborhood full of Asians. They're everywhere in Alhambra: in the markets, at the gas station, and on the streets. Even our mailman is Asian. On the surface Asians might not seem too bad, but they remind me too much of my family. At least in Hollywood, whenever I'd had enough of my family, I was able to
45). There are also important racial issues that are examined throughout "A Touch of Evil"; these are accomplished through what Nerrico (1992) terms "visual representations of 'indeterminate' spaces, both physical and corporeal"; the "bordertown and the half-breed, la frontera y el mestizo: a space and a subject whose identities are not fractured but fracture itself, where hyphens, bridges, border stations, and schizophrenia are the rule rather than the exception" (Nericcio,
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