Ancient
Interpretations of Ovid's Love Stories
The first story from Ovid's Metamorphoses to be interpreted is "Echo and Narcissus." There are some traditional elements to the story as a love story paradigm. There are stories of "boy meets girl" and often part of that story is that one or both of the romantic leads like each other, but have difficulty synching together to have a romantic interlude. Narcissus calls out to Echo in the woods for them to meet together. She is excited but she can only repeat the last phrase or so of what Narcissus says, keeping them from meeting together. In another way, the story is a traditional love story, in that the girl loses the boy. What is non-traditional is that the girl loses the boy to himself. Narcissus sees his reflection in water while roaming the forest and falls in love with himself. Thus, this is a love story, but an odd one. Some times people are too much in love with themselves that they go blind to the other sources...
Confessions of Augustine, The Life of Saint Teresa of Avila by Herself, "On the Oration and Dignity of Man," Petrarch's poetry, and Shakespeare's drama "King Lear" are both products of societies in which the dominant religious ethos was Christian rather than pagan. However, although all texts share this similar historical feature, fundamentally opposing views of the self are articulated through the theological texts in contrast with the works of
However, people have had a choice, and, while they could have continued to grow their crops peacefully, they preferred to fight endlessly instead, having despair constantly present in the world. It is not certain whether or not people could have actually stopped evil from entering their lives, but it is certain that it would need a miracle for it to disappear. The poet presents the tyrant Lycaon as being a
The Medici family was heavily involved in the excavation of priceless artifacts from around the Florence area. Exposure to these excavations, many of which were financed by Michelangelo's key patrons, undoubtedly had an affect on his affinity for classical art and art forms. Through his use of ancient works in his own art, as well as his propensity to copy the style of these ancient artifacts, Michelangelo managed to
He masked himself as Philostrate as he finds his way towards Athens. His standing for righteous activities and healthy language developed so quickly that in a short span of time he turned into a beloved companion of Theseus (Hubertis, 1916). Palamon, meanwhile, has wasted seven more years in jail, and has almost gone insane. Incongruously, nevertheless, an acquaintance ultimately assisted him to getaway from his imprisonment. He took to his
In Theogony, Aphrodite's mother is the water of the sea, in which the goddess is "floating." This word choice further illustrates the destructive elements of Homer's tale in contrast to the nurturing of Hesiod. Finally, Aphrodite is called "Philommedes," or genital-loving, in Theogony, but referred to as "Philommeides," or laughter-loving, in the Iliad. In the selection of Homer's work, however, she is called by this name only to highlight
Charles Van Doren has concluded that the Copernican Revolution is actually the Galilean Revolution because of the scale of change introduced by Galileo's work. The technological innovation of the Renaissance era started with the invention of the printing press (the Renaissance). Even though the printing press, a mechanical device for printing multiple copies of a text on sheets of paper, was first invented in China, it was reinvented in the
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