When Tessie is chosen, she is quickly stoned to death by the other town people and her family. The village deems murder to be an acceptable tradition… until it is you who is chosen. The reader of "The Most Dangerous Game" is also faced with the question of the acceptability of murder. In this story, the definition of murder is expanded to include the murder of hunted animals and murder

Lottery" and "The Most Dangerous Game" At first glance, the slow tension built up in Shirley Jackson's "The Lottery" seems to mark the story as wholly distinct from the over-the-top adventure in Richard Connell's "The Most Dangerous Game," but closer examination reveals a number of points in which the two tales seem to engage in a shared discourse regarding the value of human life. "The Lottery" features an ostensibly civil

Thematic Development in "Young Goodman Brown" and "The Most Dangerous Game" While Nathaniel Hawthorne's "Young Goodman Brown" and Richard Connell's "The Most Dangerous Game" both feature the same basic theme of good vs. evil, the additional themes that the author utilize in telling their stories serves to differentiate them in a significant way, so that Hawthorne's story suggests that evil can corrupt even a successful protagonist while Connell suggests that his protagonist

Goodman Brown/Lottery Literature is frequently employed as a device for social and political commentary. This is certainly true in Nathaniel Hawthorne's "Young Goodman Brown," and Shirley Jackson's "The Lottery." Both these stories darkly satirize the rigid social conventions that define small town American life. Even though they wrote about a century apart, Hawthorne and Jackson drew similar conclusions about American religious life and culture. Throughout his career, Nathaniel Hawthorne remained concerned

Shirley Jackson's "The Lottery" and DH Lawrence's "The Rocking-Horse Winner," the desire of human beings to gain control over their existence with the use of rituals and 'magic' is in evidence. Use of ritual and superstition in "The Lottery and "The Rocking Horse Winner" In one story, magic is real, in the other it is not II. "The Lottery" Plot of sacrifice Sacrifice highly ritualized Not performing the magic is seen as barbaric, ironically "The

setting of a story can reveal important things about the narrative's larger meaning, because the setting implies certain things about the characters, context, and themes that would otherwise remain implicit or undiscussed. In their short stories "The Lottery" and "The Rocking-Horse Winner," Shirley Jackson and DH Lawrence use particular settings in order to comment on the political and socio-economic status of their characters without inserting any explicitly political or