Los Angeles (compare and contrast two books/Articles)
Aesthetic Judgment: "Mildred Pierce" compared to "What Makes Sammy Run"
What Makes Sammy Run
The tale of Sammy Glick has been told by Al Manheim in the first person narrative. Al Manheim is the drama critic working for the esteemed New York Record. The tale of Sammy Glick is about an uneducated boy who becomes a screenwriter from a copy buy in Hollywood back in the 1930s. Glick achieves this success by backstabbing many people (Schulberg, 2011).
Manheim starts his narrative by recalling the first time that he met Sammy Glick when he was a 16 years old boy and was working at Manheim's newspaper as a copy boy. Manheim starts to observe Sammy very keenly as, Sammy's aggressive personality disturbs Manheim a lot. Therefore, in this way not only does Manheim become a mentor to Sammy but he also becomes his best friend as claimed by Glick on many occasions (Schulberg, 2011).
The Hollywood system has also been described by Manheim in great detail. He has described this system as a money machine that oppresses the talented writers. It is preferred by the bosses that they have free range when it comes to dealing with the writers. This includes giving them work on weekly basis or signing a 7-year contract with them (Schulberg, 2011).
It has been remarked by Manheim in the novel that in Hollywood it is a rule and not an exception that "the convictions are for sale" and people don't let any chance to double-cross someone go by. It was observed by Manheim that there are three products that are being produced by Hollywood and these are: fear, moving pictures and ambition. The creation of Writer's Guild was witnessed by Manheim. The main purpose behind building this organization was to protect and defend the rights of screenwriters (Schulberg, 2011).
Right after a periodic reshuffling of the studio, Manheim comes back to New York as, he loses his job. Back in New York he is still obsessed with Sammy Glick and his stardom and therefore, he starts investigating Glick's past. "The machinery that made Sammy who he was today" as well as "the anarchy of the poor" was understood by Manheim to a certain extent. Manheim came to the realization that it was in the "dog-eat-dog world" of the Lower east side of New York that Sammy grew up in, he realizes that this world is a lot similar to the dog-eat-dog world of the Hollywood. The only difference between the childhood days and present life of Sammy was that in the childhood he was the one who regularly got beaten up by a Sheikh but today a Sheikh who works for Sammy gets beaten up by him. Manheim feels that it is either some kind of a delayed act of revenge from Sammy's side or maybe it's the "victim's triumph" (Schulberg, 2011).
Manheim starts writing for Glick when he moves back to Hollywood and it is then that he realizes that there are still some honorable and honest men working in the industry such as the producer Sidney Fineman who is Glick's boss. After teaming up with Kit Sargent, Manheim writes a number of films for Glick who by that time has switched to production successfully and has shifted into a huge manor within Beverly Hills (Schulberg, 2011).
After a series of flops Fineman's position gets compromised but Manheim tries to convince Harrington, who is a banker on the Wall Street and also represents the financers of the film company, that Fineman still is the most suitable man for the job. Glick sees this moment as an opportunity to get rid of Fineman once and for all and take his place instead. Glick meets with the daughter of Harrington - Laurette - at a reception and falls in love with the girl and even breaks up with his own girlfriend. Glick feels that by getting together with Harrington's daughter he will be killing two birds with a single stone as he will get Fineman's job as well as the love of this life (Schulberg, 2011).
Summary: Mildred Pierce
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