To Steele, this idle and pleasurable time is a part of personal and emotional growth. To be sure, the text in question is driven by the era's emphasis on Literary Romanticism, where self-discovery is considered among the highest pursuits.
As Steele proceeds through the busy squares and thoroughfares of London, by the docks and through quiet alleys, he offers a sweeping and concise keyhole view into urban subsistence in his time. And he does so with no small air of affection for the bustling sense of purpose bred by this place. The author observes that "chimney-sweepers passed by us as we made up to the Market, and some Raillery happened between one of the Fruit-Wenches and those black Men, about the Devil and Eve, with Allusion to the several Professions. I could not believe any Place more entertaining than Covent-Garden; where I strolled from one Fruit Shop or another, with Crowds of agreeable youn Women around me." (p. 130)
So stimulating is this...
Some Chinese researchers assert that Chinese flutes may have evolved from of Indian provenance. In fact, the kind of side-blown, or transverse, flutes musicians play in Southeast Asia have also been discovered in Africa, India, Saudi Arabia, and Central Asia, as well as throughout the Europe of the Roman Empire. This suggests that rather than originating in China or even in India, the transverse flute might have been adopted through the
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