Live Theater's Financial Struggles
Live theater is one of the most enduring art forms. In older times, traveling troops performed at different locations, providing one of the more consistent forms of entertainment through much of history. Eventually, cities and larger towns began building buildings that were devoted to players, and theater became a common form of entertainment. However, as movies became popular, the theater began to lose its common appeal. This decline has continued as electronic entertainment has grown more popular. However, in addition to facing competition from other forms of entertainment, the theater is very vulnerable to changes in the economy. As a result, many live theaters seem to perpetually struggle with their finances. This has even led to speculation that, outside of the Broadway context, live theater is destined to fail. While that hopefully is not true, it is certain that live theaters are struggling.
In September 2010, in Bristol, Tennessee, the Theatre Bristol was an example of one such struggling theater. Many local theaters rely not only...
Tragedy of Mariam" by Elizabeth Cary Elizabeth Cary is an Englishwoman who received acclaim because of her written play, "The Tragedy of Mariam," which was written in 17th century England. Born to aristocracy, Cary was known as the first Englishwoman who wrote English drama, and the play "The Tragedy of Mariam," is considered a 'closet drama,' because it is not perform for the public. Rather closet dramas are only narrated
He simply cannot escape these expectations. So, when Robert DeNiro takes on a comedic role, such as the role of the potential father-in-law in Meet the Parents, the moment he comes on the screen, the audience is aware that he is Robert DeNiro, in addition to the character that is being portrayed. Therefore, his character can do things that other characters could not. Who but Robert DeNiro could portray
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While Shakespeare attracted his fair share of criticism during his day, it is also clear that many of his contemporaries as well as the general public viewed Shakespeare's work in a positive light. For example, Callaghan (2004) points out that, "While we do not know how much Shakespeare was paid for the plays he furnished his company, it is clear that the greatest part of the handsome fortune Shakespeare had
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18). Assessing the economic impact of the arts on these communities allowed the researchers to then produce a national impact estimate, the results of which were stated above. Ultimately, the researchers found that when communities "support the arts, [they] not only enhance the quality of community life but also invest in their economic well-being" (Cohen, Schaffer, & Davidson, 2003, p. 30). The researchers concluded by noting that while "the very
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