Jane Austen's Persuasion: Anne Elliot's Coming Out The writings of Jane Austen are often considered to be the representation of an excessively conservative era. Though this may truly be the case especially in regards to the formal and informal interactions between the opposite genders. A woman's reputation could be made or broken by a simple turn of events. The challenge of maintaining these standards for conduct, where even the minutest misunderstanding might cause years of disassociation seems to be as formidable as any. The story is one of the personal growth of the heroine Anne Elliot. She branches out into a world, limited by her position but much less so than before.
Though waters of social understanding were often murky the reality of Persuasion is such that the heroine, Anne Elliot is assuming the role of "director" of her own life. Austen is telling the story of a woman learning that listening to others unfailingly on matters of the heart does not ensure happiness or security. Anne's experience of seven years of unrelenting heartache over the sacrifice of her one true love to propriety has not served her and she believes she would have been happier and wiser to listen to her own heart and believe in the ability of her love to become a success.
She was persuaded that under every disadvantage of disapprobation at home, and every anxiety attending his profession, all their probable fears, delays, and disappointments, she should yet have been a happier woman in maintaining the engagement, than she had been in the sacrifice of it; and this, she fully believed, had the usual share, had even more than the usual share of all such solicitudes and suspense been theirs, without reference to the actual results of their case, which, as it happened, would have bestowed earlier prosperity than could be reasonably calculated on. (Austen 21)
Anne was quietly justified by knowledge she gained through the media that her love had made a success of himself at no expense of their failed match. His sureness of character had not failed him and though he may not have been a match in status as her genealogy he would surely have ensured her lack of fear in an economic sense.
All his sanguine expectations, all his confidence had been justified. His genius and ardour had seemed to foresee and to command his prosperous path. He had, very soon after their engagement ceased, got employ: and all that he had told her would follow, had taken place. He had distinguished himself, and early gained the other step in rank, and must now, by successive captures, have made a handsome fortune. She had only navy lists and newspapers for her authority, but she could not doubt his being rich; and, in favour of his constancy, she had no reason to believe him married. How eloquent could Anne Elliot have been! How eloquent, at least, were her wishes on the side of early warm attachment, and a cheerful confidence in futurity, against that over-anxious caution which seems to insult exertion and distrust Providence! She had been forced into prudence in her youth, she learned romance as she grew older: the natural sequel of an unnatural beginning. (22)
She has watched his career with passion and interest and without the confidence of anyone to share it with. She has decided that everyone was wrong about him and she was led by the wrong advice.
The sometimes subtle and sometimes blatant class associations that dictate a proper social interaction and more importantly proper marriage ability seems to be an all consuming contest for married and unmarried women, alike. Though these interests may be a literary intrigue rather than a real life reflection of the times, it might seem unlikely because so many contemporary authors suggest that the former rather than the later is the case. Yet the main meaning of this text is not so much Anne's growth of self-determination but that from this growth and a little luck she gains opportunity to become much more worldly and independently decisive.
In a strange turn of events her family loses economic favor, as her father is highly motivated to maintain his station as Baron and seemingly incapable of doing so with economic prudence, because of his unflagging vanity. Sir Walter Elliot finds no ability to live in Kellynch Hall without all the luxuries that befit it and the family must quit Kellynch and take up residence at a more economically prudent location.
Monetary wealth is intimately aligned with social standing and when the Eliot's run into financial difficulties as result of pretentious living standards, this has profound implications for the plot and main characters. Power is also another factor that plays a role in the desire for social status. In this novel Austen explores the ways in which power over others is related to class and wealth. We have already seen how
She has spent the last ten years in sadness and solitude, even in her own family. She could have had ten years of happiness and contentment had it not been for Lady Russell, who finally acknowledges she made a grave mistake when she gave Anne advice about the man. Late in the novel Austen writes, "There was nothing less for Lady Russell to do, than to admit that she
Emma: The Character of Frank Churchill and 'reading' the moral qualities of men in Jane Austen One of the challenges posed by Jane Austen, of her heroine Emma Woodhouse, in the novel entitled Emma, is how Emma must learn to be a good reader of both male and female characters. The persona of Frank Churchill poses a constant series of challenges to Emma -- is Frank a rouge and a coxcomb,
This is a fact that Austen herself most certainly appreciated as an unmarried female of the same social set she was writing about, which explains the centrality of this concept to so many of her novels. Persuasion is far from the only Austen novel where conflicts between emotional love and the necessary practical considerations of marriage arise, nor the only one where ironic changes in circumstance lead to the
Pride and Prejudice Additional Pages Casal, Elvira. "Laughing at Mr. Darcy: Wit and Sexuality in Pride and Prejudice." Persuasions On-Line 22.1 (2001): n. pag. Web. Casal discusses comedy, laughter and wit as Austen's basic thematic concerns within Pride and Prejudice. She begins her analysis with a discussion of the conversation between Miss Bingley and Elizabeth Bennett, which concludes with Elizabeth's expostulation "Mr. Darcy is not to be laughed at!" Casal notes that
Other novels of the time, such as "The Swiss Family Robinson" and "The Dairyman's Daughter," were moralistic Christian tales, and novels of fear and terror were also becoming popular, such as "Tales of the Dead" and tales of Dracula-like beings. Thus, Austen was bucking tradition with her novel, combining wit, romance, and satire against the very society that was reading it. Her novel was exceedingly popular at the time,
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