Rabbit Hole
The Symbolism of the Rabbit Hole
David Lindsay-Abaire's play Rabbit Hole, which he adapted into a screenplay directed by John Cameron Mitchell, concerns a married couple coping with the death of their son, with complications brought in by the wife's sister and mother and ultimately by the teenager that killed young Danny with his car (though through no real fault of his own). Each of the characters in the play has their own way of dealing with Danny's death and how it has affected their future and their lives, but a part of each of their coping mechanisms involves a great deal of escapism, or pretending the world exists in a way that it does not. This is exemplified to varying degrees and in many different ways by each of the characters, and an investigation of four of these characters and the ways in which they go down their own "rabbit holes" -- their journeys to imagined realities -- reveals a great deal about the impact and meaning of the play.
The explicit concept of the rabbit hole isn't introduced until late in the play, when Jason re-enters Becca and Howie's lives. Jason is the teenager that was driving along when Danny ran into the street after the family dog and Jason hit him; though Danny's father Howie wants nothing to do with Jason, Becca talks with him. He tells her that he imagines complete...
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