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Literary Criticism Of Bars Fight Term Paper

¶ … Bars Fight" is Lucy Terry's only surviving work. Transmitted orally for approximately one hundred years before going into print, the ballad is considered the first composition of an African-American citizen. Born in 1724 in Africa, Terry, later married Prince, had come to The States after being kidnapped and sold as a slave. In 1756 she became free by marrying Abijah Prince. The two settled in Guilford, Vermont along with their children. Lucy is known to have been a skilful orator, although failing to obtain admission for her son at Williams College, she managed to win a case over an attempt of thievery to which Samuel Chase acknowledged that her arguments stood before any of the Vermont's lawyers. In this paper however, we are not so much concerned with Terry's unofficial lawyer activities, rather the focus is to provide further critical attention in regards to Terry's poem "Bars Fight." In this respect, we will be addressing some contextual issues with a following on literary analysis. When in 1746 Abenaki Indians raided Deerfield and five people were killed during the raid, Terry became the first known Afro American author when she decided to depict the event in a poem. A resident of Deerfield herself, Terry was terrified by the occurrence and decided to relate the event of the day on paper. It is, in fact, the most solid piece of information that has come to us in regards to what happened that day. None of the members of the community were actually surprised to find that Terry chose to take such an initiative because her house is known to have been a gathering place within the community where Terry would have often recited poems and told stories.

From a technical point-of-view, "Bars Fight" is rather a simple poem constructed in thirty lines and consisting of simple rhymed couplets. The simple structure of the poem resembles what today may pass for free verse. The rhymed couplets can be easily mistaken for intentional humor, however we believe that is due to the simplicity of the composition. Nonetheless, there is a possibility that humor may in fact pass for satire...

The tone of the poem is rather tragic, depicting the deaths of the five people in the raid with clarity and objectivity. There is no personal attachment from the author's part, just a clear illustration of a tragic episode:
Eteazer Hawks was killed outright,

Before he had time to fight,

Before he did the Indians see,

Was shot and killed immediately.

Indeed, there's no emotion that these lyrics emanate, this is why the verses can actually be perceived so accurately as historical document rather than poetry. And that happens because we often expect poetry to relish on feelings and personal insights, thus it's our expectations of poetry that sometimes stigmatize poets. Although there are no significant literary devices to tempt the reader with, "Bars Fight" captures attention due to the subject it approaches and because of what it represents.

It is often noted that Terry's poem does not provide any literary significant merit, but that it does represent a statement in itself. Indeed, Debbie Clare Olson acknowledges that "though "Bars Fight" is not of significant literary style, that the poem exists at all challenges commonly held beliefs about African-Americans in colonial America and particularly African-American women." (554) We can agree with Olson in that Terry represented, in this respect, the image of African-American women whose intellectual qualities and sense of self-awareness must have initiated what would later on come to represent a bygone era in which Afro Americans would have been subordinated to a "white" society. In our opinion, what "Bars Fight" has come to represent is the mingling of race, literary achievement, and social status in the formulation of black written poetry. We must also consider that in the eighteenth century, few people were able to read and write. That an Afro American slave not only did these, but had a flair for story telling and composing, must be taken into consideration. The poem is easy readable and it allows for a wider…

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Works Cited

Olson, Debbie Clare. "Lucy Terry: Biographical Narrative." Encyclopedia of African-American Women Writers (two volumes). Ed. Yolanda Williams Page. Westport: Greenwood Press, 2007. 554-555. Print.

Terry, Lucy. "Bars Fight." PBS: Africans in America. Web. 23 June 2013. <http://www.pbs.org/wgbh/aia/part2/2h1592t.html>
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