Because of its strong ethical overtones and themes, Victor Hugo naturally gravitates towards imagery of light and darkness in Les Miserables. Light and darkness symbolize their respective moral poles, the binaries of good and evil, beneficence and maleficence, right and wrong. Drawing attention to ethical polarities helps the reader to better understand and appreciate moral ambiguity. The protagonist Jean Valjean epitomizes moral ambiguity, as the reader follows his journey from sin to salvation. Ultimately, Hugo shows the reader how formal systems of justice and institutions of law and order cannot accurately determine moral polarities; the human heart is far too complex. Using imagery of light and darkness, Hugo shows that most of life manifests in various shades of grey.The Bishop is the first major symbol of light in Les Miserables, and is an overt representative of religious fortitude and spiritual salvation. “He gazed incessantly beyond this world through these fatal breaches, and beheld only darkness. The Bishop made him see light,” (Chapter 4). This line directly shows how Jean “beheld only darkness,” his experiences leading him to a morbid and depressed view of reality. The Bishop is the first person who shows Jean unconditional love and forgiveness—which are in short supply in Jean’s world. Therefore, the light of the Bishop is not just tied to religion or to God, and certainly not necessarily the institution of the...
Rather, the light of the Bishop is a universal moral light, a light of truth in human kindness and compassion.Victor Hugo Romantic Writings of Victor Hugo The romantic period was partly in reaction to the impact that the industrial revolution had on the psyches of artists of all stripes. The move toward an industrial culture had moved many people from the pastoral scenes of the country into the grungy hearts of the cities. Many of the people worked in the factories six days a week for many hours a day, or
Through this experience, I realized that these characters could help other to understand themselves and to resolve the internal conflicts that drive young males in their actions. As I began to study the characters in the novel more closely, I began to realize that Valjean and Javert were not the only characters that represented Jungian archetypes. It became apparent that gaining a better understanding of the characters and the
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