¶ … Legacy of Jackson Pollock
The artist Jackson Pollock was renowned for using non-traditional methods to create very untraditional pieces of art. At the time that he was working and up to the modern historical moment, many people look at a piece by Pollock and do not see it as art. Instead, they may likely proclaim that it is just lines or random colors on a canvas and thus does not have the intrinsic meaning of more traditional pieces of artwork. Either one understood modern art and accepted it as a new and innovative type of art, or one was likely to deride anything in modernity as just a mess on canvas or whatever medium the artist chose to work in. Despite this perspective, Pollock and artist like him began a whole new artistic movement which is known as modernism. What is considered to be modern art has been the source of debate since the introduction of the movement in the 1930s and its popularity in the 1950s and especially into the 1960s with the popularization of the likes of Andy Warhol. The question then becomes not whether modern art is art but how society can define modern art in terms both of itself and in terms of the larger artistic vocabulary. In two articles, Clement Greenberg's "Modernist Painting" and Allan Kaprow's "The Legacy of Jackson Pollock," the authors discuss and debate what constituted modernism and what place this movement has in the history of art.
In order to understand the two arguments that are being debated, it is important to first have at least a simplistic understanding of what modernism is in its most basic forms. Unlike traditional artwork, modern pieces are usually far more representational. That is to say that, the painting or sculpture's meaning will not be obvious. Instead, the work requires interpretation from the viewer in order to be understood. Usually, the modern...
BanksyBanksy started off as a graffiti artist in England in the 1990s and rose to popular fame as a stencil artist when the film Exit Through the Gift Shop (2010) appeared in movie theaters (ArtNet, 2021). Banksy was depicted as a renegade, anti-establishment artist whose commercialization was and prosperity was a paradox in and of itself: as a street artist specializing in stencils, his art was typically tied to a
Pissarro took a special interest in his attempts at painting, emphasizing that he should 'look for the nature that suits your temperament', and in 1876 Gauguin had a landscape in the style of Pissarro accepted at the Salon. In the meantime Pissarro had introduced him to Cezanne, for whose works he conceived a great respect-so much so that the older man began to fear that he would steal his
"This means that there will be as many different forms of postmodernism as there were high modernisms in place, since the former are at least initially specific and local reactions against those models." One of the key transitional moments from modernism to postmodernism, frequently cited by a number of sources, is Marcel Duchamp's decision to display a urinal in an art gallery; this disruptive moment effectively shattered previous paradigms, thus
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