Verified Document

Langston Hughes To Say That Research Paper

Instead of simply imagining Hughes sitting in the room with the musician, now the reader can see himself in that room; he can hear the music for himself; he can almost feel the pulse of the pianist stomping his foot on the floor. In the poem "The Weary Blues," Langston Hughes expertly uses musical allusions to bring the reader into his world. The inclusion of musical allusions remained a theme in Langston Hughes' work throughout his life and career. Later in his life, in Montage of a Dream Deferred (1951), he published a poem called "Dream Boogie." This is a poem that also uses musical allusions. "The Weary Blues" uses the blues to drive it; "Dream Boogie" uses jazz.

The part of jazz that stands out is the aspect that is off-melody, the part that is off-rhythm. While most musical forms find value in the musician's ability to follow the melody that is set, jazz is valuable based on the degree to which the musician can improvise outside of the melody that is set. This is what Hughes uses to create musical allusions in "Dream Boogie."

After opening the poem with a metaphorical announcement of the music of a dream deferred, Hughes pens these very jazz-influenced lines:

Listen closely:

You'll hear their feet

Beating out and Beating out a You think

It's a happy beat? (Hughes, 1951).

These lines are jazz influenced in that they are off-rhythm. Hughes begins the phrase by establishing a rhythm,...

The message that can be taken from the fact that the poem is written in this style is that achieving one's dreams is not necessarily a smooth path. Hughes calls the song he hears "The boogie-woogie rumble / Of a dream deferred," (Hughes, 1951) which indicates the correlation between the syncopated writing style he employs and the subject of the poem.
Langston Hughes masterfully uses musical allusions in his poetry to convey messages that are deeper than just the words he uses. One might say that the true value of Hughes' poem is behind the words, similar to the way that jazz is off-melody. The title of "Harlem Renaissance Poet" may not be fitting for Langston Hughes; perhaps "Jazz Poet" is better.

Resources

Academy of American Poets. (2010a). Langston Hughes: The Songs on Seventh Street.

Retrieved from http://www.poets.org/viewmedia.php/prmMID/5804

Academy of American Poets (2010b). Poetry Form: Blues Poem. Retrieved from http://www.poets.org/viewmedia.php/prmMID/5768

Liukkonen, Petri. (2008). Langston Hughes (1902 -- 1967). Retrieved from http://www.kirjasto.sci.fi/lhughes.htm

Hughes, Langston. (1951). Dream Boogie. Retrieved from http://cai.ucdavis.edu/uccp/hughesdreamboogie.html

Hughes, Langston. (1923). The Weary Blues. Retrieved from http://www.poets.org/viewmedia.php/prmMID/15612

Sources used in this document:
Resources

Academy of American Poets. (2010a). Langston Hughes: The Songs on Seventh Street.

Retrieved from http://www.poets.org/viewmedia.php/prmMID/5804

Academy of American Poets (2010b). Poetry Form: Blues Poem. Retrieved from http://www.poets.org/viewmedia.php/prmMID/5768

Liukkonen, Petri. (2008). Langston Hughes (1902 -- 1967). Retrieved from http://www.kirjasto.sci.fi/lhughes.htm
Hughes, Langston. (1951). Dream Boogie. Retrieved from http://cai.ucdavis.edu/uccp/hughesdreamboogie.html
Hughes, Langston. (1923). The Weary Blues. Retrieved from http://www.poets.org/viewmedia.php/prmMID/15612
Cite this Document:
Copy Bibliography Citation

Related Documents

Langston Hughes' "Democracy" a Number of Ideas
Words: 1878 Length: 6 Document Type: Essay

Langston Hughes' "Democracy" A number of ideas are expressed -- and buried -- in Langston Hughes' 1949 poem "Democracy." The poem is composed in open form and appears to take its cues from the musical jazz movement of the time period. Its lines are short, often punctuated by abbreviated verses and sudden rhymes that indicate a sense of urgency and immediacy, while vibrating with a strong and insistent timbre and tone.

Langston Hughes: Poet of Experience
Words: 2196 Length: 8 Document Type: Essay

To combat the power of their oppressive circumstances, many would sing to chase away the blue. This tradition is captured in the " Thump, thump, thump, went his foot on the floor" (22). The song is about oppression and an attempt to be happy regardless of setting. Heritage, history and hope merge together in this poem to explore what the African experience must have been like. Hughes' poetry is also

Langston Hughes Method of Exposing Racism and
Words: 1450 Length: 5 Document Type: Term Paper

Langston Hughes method of exposing racism and gender racism in Five Plays is to simply tell it like it is, to show all aspects of black life, good, bad, beautiful, ugly, and everything in between. He depicts forms of racism such as oppression, miscegenation, violence, dishonesty in the name of religion, illegal profiteering playing upon the hopes and dreams of the poor, at the same time he glorifies the love,

Langston Hughes Felt That African-Americans Should Be
Words: 1117 Length: 4 Document Type: Term Paper

Langston Hughes felt that African-Americans should be able to live in freedom in the 20th Century. He saw African-Americans as a vibrant race, full of live, compassion, and love. He didn't approve of complacent people. Because Hughes was at the center of the Harlem Renaissance, he naturally felt that African-Americans should speak up and demand what they want. He felt that African-Americans should be proud of their heritage -- they

Langston Hughes and Tennessee Williams:
Words: 1238 Length: 4 Document Type: Term Paper

Williams works often focuses on destruction and violence but one play that seems to garner the most attention is the Glass Menagerie. One character worth mentioning is Jim, whose simple and kind nature make him unique in the play. He is optimistic and full of hope and this has the greatest affect on Laura. With her, Williams elevates him to become a positive influence to help her move beyond her

Langston Hughes the Impact of
Words: 1982 Length: 6 Document Type: Thesis

In "The Negro Artist and the Racial Mountain," Hughes speaks greatly about jazz, noting that the blacks in Harlem are not afraid to be the way that they are, unlike the middle-class blacks who Hughes accuses of constantly trying to act like they are white. One of the aspects of this group that Hughes points to is jazz music, along with gospel music. Thus, Hughes points to jazz as

Sign Up for Unlimited Study Help

Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.

Get Started Now