Hughes seems to indicate that cultural roots are so strong that each gets pulled indifferent directions.
In "Poor little black fellow," a similar incident occurs with a white couple adopting their dead servant's black child (they call the child 'it'). Also here we see culture doing things to the Pemebertons that they didn't like and compelling them to act in certain ways. They had to go first class, their adopted son second class. The white couple try to get him to go to Versailles. He prefers his Negro crowd -- again the cultural differences! And the story ends by Pemberton who had never been so emotionally disturbed over anything in his life fainting when Arnie announces his intentions to marry a 'white, white Romanian girl. To Americans such as Pemberton, Black and White do not mix. Enculturation dominated itself over everything, swamping fraternal feeling.
Du Bois, too, sees the dignity that is inherent in the Black man, and also discussed the irrationality of the concept called 'race' that consequents in prejudice and vilification...
Langston Hughes method of exposing racism and gender racism in Five Plays is to simply tell it like it is, to show all aspects of black life, good, bad, beautiful, ugly, and everything in between. He depicts forms of racism such as oppression, miscegenation, violence, dishonesty in the name of religion, illegal profiteering playing upon the hopes and dreams of the poor, at the same time he glorifies the love,
Williams works often focuses on destruction and violence but one play that seems to garner the most attention is the Glass Menagerie. One character worth mentioning is Jim, whose simple and kind nature make him unique in the play. He is optimistic and full of hope and this has the greatest affect on Laura. With her, Williams elevates him to become a positive influence to help her move beyond her
When he explains that the "muddy bosom" of the river (or, of the life of the black culture) turns "all golden in the sunset," that is a sweet transition for a culture, and nothing less than mystical, magical and wonderful. Turning mud to gold is the miracle of survival through all the chaos, carnage, and brutal injustices done to black people over the centuries. In "Mother to Son" the poet
Pedagogy -- Langston Hughes and Frederick Douglass Critical Pedagogy in Literature There are two phenomena -- discrete even in their close relation -- called structural violence and cultural violence that I have recently learned to call by their socio-political monikers. A discussion about structural and cultural violence is relevant to the topic of the paper since both exemplify the foundation upon which racial prejudice and justification for social class rests. To
They conform to religious convention and display actions that are just that; actions without any sincere faith to support them. For many, there is little distinction between a public display of faith and its sincere manifestation in the heart. It is this dichotomy that Langston learns about on his "conversion" day. He learns that, to satisfy the public, it is required that an insincere of faith should be displayed. As
Cosmopolitan Modernism1: Case StudyThe article �The Cosmopolitan Modernism of the Harlem Renaissance� from The Nation, by Rachel Hunter Himes, published on April 15, 2024, discusses the Harlem Renaissance as a cosmopolitan reflection of modernism. It discusses the transatlantic exchanges that influenced Black society and art in the 1920s and 1930s. But it also discusses the Met Museum�s attempt to present this period and this art (or lack of) in recent
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