Verified Document

Knight, Death, Devil Durer Artistic Analysis: Knight, Essay

Knight, Death, Devil Durer Artistic Analysis: Knight, Death, Devil by Durer

"Though I walk through the valley of the shadow of death, I will fear no evil," Psalm 23 could easily be taken as the primary influence for this piece (The British Museum 2012). "Knight, Death, and the Devil," by Albercht Durer in 1513, features a Christian knight walking through a dark valley in the midst of evil and death. It is a beautiful engraving filled with eerie symbolism and Christian dogma.

This engraving really represents the medieval devotion to Christian themes and expressions within artistic expression. It is filled with Christian symbolism, and gave the artist a sense of moral rectitude through its execution. Here, the research suggests that "the prints are closely interrelated and complementary, corresponding to the three kinds of virtue in medieval scholasticism -- theological, intellectual, and moral" (Metropolitan Museum of Art 2012). There are many within the world of art...

For example, the tablet has some symbolism in that it is dated exactly 200 years after the Knights of Templar were disbanded (Bowman 2008). Many believe that the S. On the tablet actually stands for the Greek ?, or sigma, which could also be correlated to a reverence to the 200-year anniversary of the Templar's disbandment. In this, the piece's patron would have been as these historic knights. This image is even further constructed when examining the images f the devil and death who are said to represent King Phillip Le Bel as death and Pope Clement V as the devil; "an allusion to Le Bel's vanity is his head wreathed in snakes, which invokes the myth of Medusa," (Bowman 2008). Still, these theories are not fully accepted within the art world.
There is a plethora of symbolism used that goes beyond the image of the Templar…

Sources used in this document:
References

Bowman, David. (2008). Knight death devil -- knight templar's. Alternative Information Newsletter. Web. http://www.aiwaz.net/a12

Metropolitan Museum of Art. (2012). Knight, death, and the devil. Heilbrunn Timeline of Art History. Web. http://www.metmuseum.org/toah/works-of-art/43.106.2

The British Museum. (2012). Albercht Durer, knight, death, and the devil, a copperplate engraving. Explore / Highlights. Web. http://www.britishmuseum.org/explore/highlights/highlight_objects/pd/a/albrecht_d%C3%BCrer,_knight,_death.aspx
Cite this Document:
Copy Bibliography Citation

Related Documents

Metamorphosis of Opera in South
Words: 10206 Length: 35 Document Type: Thesis

As mentioned earlier on, the new political dispensation that took off is 1994 opened the "gates of creative possibility" (Roos,2010) for the opera producers since they were therefore able to juxtapose the Western and African art scenes. This was fueled by the sense of renewed intellectual and artistic access that way created by the new political dispensation. According to Roos (2010), theoretically, the new political dispensation culminated into an

Sign Up for Unlimited Study Help

Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.

Get Started Now