Kafka's Trial
"Here there is no why"
Primo Levi, Survival in Auschwitz.
Attempting to determine what Franz Kafka really meant in any of his stories is a difficult undertaking, given the absurdity and irrationality of the situations he describes and characters that do not seem to function or react as 'normal' human beings. This is especially true in his unfinished novel The Trial, where the young and successful bank executive Joseph K. is arrested and put on trial without charges and for no apparent reason, then taken out and murdered a year later. He never knows why all of this is happening to him, and perhaps Kafka's main point is that there is no 'why'; there is no reason for any of it, and indeed the characters and society he portrays are not acting in a rational manner. Like Primo Levi in Auschwitz, who was thirsty and broke off an icicle outside the barrack's window, when an SS guard grabbed it from him and he asked 'Why' they only response he got was 'Here there is no why'. Under the circumstances, this was a perfectly sensible answer, given that the entire rational world had been overturned and inverted. Kafka seems to have anticipated that modern civilization was moving in this direction, and many of his characters were successful, assimilated German Jews who suffer from anxiety, depression and alienation, perhaps because they have an intuition that things will not end well for them. Even though The Trail was written during the First World War and remained unpublished at the time of Kafka's death in 1924, he may well have been a prophet instead of a writer and had a sense of the direction that the future would take in the decades ahead, where war, genocide and mass murder would become the norm, and the insane and irrational became 'sane'.
In The Trail, the Law, the courts and the judicial system are invisible and irrational, operating by rules which the people caught up in the Process (Der Prozess) do not understand and which no one ever explains. Indeed, there may be no real rules or laws at all, just on ongoing process that has no rational purpose beyond its own existence, like a machine or assembly line of destruction that just keeps running by its own momentum. Joseph K. may have been a victim of a bureaucracy, but it is a far more sinister and murderous one than that of the old Hapsburg Empire. In the end, two officials from the Court take him out to a quarry and tell him to commit suicide with a knife, and they were not at all interested in his work, education, family life and contributions to society. All that was meaningless to them, since they had a schedule to keep and orders to be obeyed: to them, he was just another name on a list, and possibly not even that but just a number. People from the windows nearby see that he is about to be killed but do nothing, no more than most of the Germans did when they witnessed to Jews being beaten, sent to concentration camps or 'resettled in the East'. Josepk K. had never learned what the charges were against him, never even seen the judge or the court where he had been condemned. No one helps him or intervenes on his behalf as these two officials jam the knife in his heart and twist it, and his last thoughts were that he was just being killed like a dog.
Kafka's writing could be described as existentialist or even surrealist, but it presents a portrait of highly alienated and unstable characters living a sick, bourgeois society that is not...
And a lot of this has to do with real epithets that were used against Jews at that time on the streets. Someone would see a Jew and say, 'You dirty dog', or 'You're nothing more than a cockroach', or something like that. For Kafka, this became a kind of literal condemnation which he accepted into himself. OK. 'You point a finger at me and call me a dog,
KAFKA'S METAMORPHOSIS THE USE of SYMBOLISM in FRANZ KAFKA'S "THE METAMORPHOSIS" According to Nahum N. Glatzer, philosopher Albert Camus once said that "the whole of Kafka's art consists in compelling the reader to re-read him," and since the interpretations of Kafka are many, this inevitably leads to a return to the story itself "in the hope of finding guidance from within" (35). This internal "guidance" is related to many elements of fiction, such
Trial" by Franz Kafka The human sense of justice in "The Trial" by Franz Kafka The field of literature is filled with stories depicting human suffering in both explicit and implicit forms, which made the readers empathize or react to the horrors depicted in these illustrations of suffering. However, there is a far more horrific portrayal of human suffering, and this is the experience of injustice in one's life. In the
He is taken outside, where the fresh air revives him. In this Chapter, K. suffers two types of defeat; first the defeat of his aborted sexual conquest that would ultimately be a victory over the Magistrate, and secondly the defeat of the air making him unable to go the Court offices. He is physically unable to be in the vicinity of the Court, and therefore unable to attempt to
Franz Kafka "The Trial" Franz Kafka's possibly unfinished novel, "The Trial," is one of the great mysteries of modernist literature. It was at once an astute, even prescient critique of modern power structures as well as a novel that does not quite make sense from a literary perspective. Left on the shelf by Kafka in 1915, the book was published in 1925 during the tense interwar period, which was, not coincidentally,
And yet in his personal life despite the anguish he wrote about so eloquently he enjoyed modern novelties such as the cinema, aeroplanes, and motor-cycles. He went swimming and followed the vogue for nudism. He had his fair share of sexual affairs, and he complemented those with visits to brothels (Johnson, 2005). Doubts about his work caused Kafka before his death to ask that all of his unpublished manuscripts be
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