¶ … John Updike's "A&P" Jeanne Wakatsuki Houston's "Double Impulse,'
Proper Identification
Upon first glance, there does not appear to be a wealth of similarities between the short story of John Updike, "A&P," and that of Jeanne Wakatsuki Houston, which is entitled "Double Impulse" and is excerpted from her memoir called Farewell to Manzanar. The former details a teenage boy's all too brief encounter with a pair of scantily clad girls in a grocery store, while the latter is about the author's growing up in the United States during the time period when Japanese people were interred in the United States. However, upon closer examination, it becomes apparent that the central theme at the heart of each of these tales is the forming of one's identity largely through the journey of the events that takes place these stories. Houston slowly forges her identity, which is distinct from her traditional one in Japan and is decidedly American in context, whereas Sammy, the protagonist in the Updike's tale, comes into his own after abruptly quitting his job. In both stories, the protagonists essentially form their identities and complete their journeys to do so as a result of their reaction to negative events.
What turns out to eventually be a negative event for Sammy starts out as rather positive in the beginning of Updike's story. The young man is working at a grocery store on a boring afternoon in a boring town when three bathing suit clad...
One of the young women's bathing suits is not even all the way on, exposing her shoulders and other parts of her anatomy. However, Sammy is able to see the banality of his job, his town, and of the life he leads that intersects with both of these as insufficient when the manager, Lengel, embarrasses the young women about their attire, as the following quotation plainly indicates.
I fold the apron "Sammy" stitched in red on the pocket, and put it on the counter, and drop the bow tie on top of it. The bow tie is theirs, if you've ever wondered. "You'll feel this for the rest of your life," Lengel says, and I know that's true, too, but remembering how he made that pretty girl blush makes me so scrunchy inside I punch the No Sale and the machine whirs "pee-pull" and the drawer splats out (Updike).
This quotation demonstrates that the narrator has quit his job, rather impetuously, as something of a heroic gesture to protest how Lengel made one of the girls feel. It was during that moment, when Sammy felt "scrunchy inside," that he decided to assert his own independence and autonomy by quitting. Before this event he had largely conformed to the blandness of the town and his job that he constantly ridicules in his mind as he watches the girls. Yet it was due to the negativity caused by Lengel's embarrassing the girls, which Sammy himself felt, that he was willing to fully form his own identity as being incongruous with Lengel,…
