John Steinbeck's Grapes of Wrath -- the Movie and the Novel
There are quite dramatic differences between the ending of the film version of "The Grapes of Wrath" and the final chapter in the book (chapter 30) -- John Steinbeck's brilliant, Pulitzer Prize-winning novel. In fact the last chapter of the novel is so totally dissimilar from the John Ford-directed film one wonders why Hollywood would cut out such engrossing drama as Steinbeck has presented through the printed word. But Hollywood loves happy endings, after all. This paper points out some of those differences and contrasts between novel and film.
In the book (Chapter 30)
The rain is hammering down relentlessly, causing the creek to rise dangerously high. In the boxcar Rose of Sharon is getting ready to deliver her baby (a child that turns out to be stillborn). So outside a potential natural calamity is threatening to occur and in the boxcar a new baby is about to be born -- there is hope for this struggling culture of humanity. The men were "beyond weariness" their faces "were set and dead," Steinbeck wrote (p. 441); but Rose of Sharon by now was screaming in pain so "…every little while"...
Grapes of Wrath The Epic in the Grapes of Wrath This paper discusses how the idea of the epic can be found in The Grapes of Wrath by John Steinbeck. The novel itself is an enormous work of approximately 500 pages. And in the words of Howard Levant, it is "an attempted prose epic, a summation of national experience of genre" (Levant 91). Because Steinbeck is depicting more than just a "slice
Grapes of Wrath There ain't no sin and there ain't no virtue. There's just stuff people do," Jim Casy tells Tom in Chapter Four of The Grapes of Wrath. This quote from Steinbeck's Pulitzer Prize-winning novel illustrates the author's ability to celebrate humanity and embrace human faults with compassion. A former preacher who learns through experience that judging human beings according to strict moral doctrine is no way to cultivate compassion,
But the value and meaning of life and love described by Casy is manifested by the outsiders, the Okies, the rejects, the wanderers, the strangers, and the oppressed. They are the socially marginal characters of a self-satisfying culture. They are the ones Steinbeck admires in his novel for they are the ones who "wander through the wilderness of hardships, seeking their own Promised Land" (Shockley 87). They await the
Grapes of Wrath John Steinbeck's novel, "The Grapes of Wrath," described the economic divide that existed in America during the Great Depression of the 1930's and the tragedies that occurred as a result. A native Californian, Steinbeck used his home state as the backdrop for a story of a family of migrant farm workers; derisively called "Okies" for their area of origin: Oklahoma. Devastated by a natural disaster commonly referred to
Grapes of Wrath John Steinbeck's novel, "The Grapes of Wrath," described the economic divide that existed in America during the Great Depression of the 1930's and the tragic result that occurred as a result. A native Californian, Steinbeck used his home state as the backdrop for a story of a family of migrant farm workers, derisively called "Okies" for their area of origin, Oklahoma. The troubles the family faced, although originally
Grapes of Wrath Social Welfare The Great Depression affected everyone throughout the United States, but there is no denying the fact that those in the general Midwest were almost destroyed as a result. The complete social and economic consequences to a few years of drought, financial distress, and the growing applications of technology -- which led towards a social change in job placements -- all affected the farmer's plight. Based on John
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