" (Lines 5-7) the metaphor of the poet being like a battered and invaded town that is impinged upon by outsiders yet still strives to let in the saving forces suggests both a medieval castle and the poet's divided alliances between the world (evil) and God (good). The second half of the poem creates further parallels the relationship of the poet to God. The next metaphor, after the castle, suggests that the poet and God's state of affections are like a marriage vow, as word 'yet' marks the transition between thoughts. "yet dearly I love you, and would be loved fain, / but am betrothed unto your enemy. / Divorce me, untie or break that knot again;" (8-11) the poet is like a bride who has been betrothed, because of human's fallen nature, to another being besides God, the enemy (presumably Satan or evil in general.) This is despite the bride's inner and stronger love for the only true divine being, that of the Trinitarian God. But even despite this unfortunate state of affairs,...
"Take me to you, imprison me, for I, / Except you enthrall me, never shall be free, / nor even chaste, except you ravish me." (11-14)
The conceit or metaphor in extended though an image of the world or globe. The tears become the entire world which encompasses the speaker's life and feelings. So doth each tear, Which thee doth wear, globe, yea world, by that impression grow, (Lines 14-16) This comparison also leads to the insistence in the poem that without each other the two lovers in fact cease to exist and that their essential meaning is
This speaker is after something slightly more adult than cookies, of course, but this just makes the humor of the rhyme stand out more. His desire to "travel, sojourn, snatch, plot, have, forget" in line six details his desires of infidelity, and the basic lack of any sort of unity in these words -- there does not appear to be more than the accidental alliteration -- also reflects the
Fern Hill (Dylan Thomas) The "Poetry Explications" handout from UNC states that a poetry explication is a "relatively short analysis which describes the possible meanings and relationship of the words, images, and other small units that make up a poem." The speaker in "Fern Hill" dramatically embraces memories from his childhood days at his uncle's farm, when the world was innocent; the second part brings out the speaker's loss of innocence and
Rebellion Against Death "Do not go gentle into that good night" may be considered Dylan Thomas's most recognizable and popular poems. First published in Botteghe Oscure in 1951, the poem later appeared as part of the collection called "In Country Sleep." Written for Thomas's dying father, the poem explores the theme of death and the resistance thereof. Written as a villanelle in which only two sounds are rhymed, such as night/light
Meanwhile, the deranged viewers walk among the police officers who take notes, wash down the street of it blood, sweep up glass. Another metaphor likens the hanging "lanterns on the wrecks that clings, Empty husks of locust, to iron poles." With locusts, what was once green and lush, becomes brown and barren. Here, what was just minutes ago a living, breathing body, becomes dead and inert. And what is the
Poetry analysis of the works of Sylvia Plath and Robert Hayden about paternal love and affection reflects how fathers have become the symbols of brutal and cruel love for their children, stereotyping and marginalizing them in a society where mothers and women are favored as suitable guardians for their children. In Plath's "Daddy" and Hayden's "Those winter days," readers witness two opposing views of this theme -- where the former
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