Verified Document

Jeff Koons

Art Review: Koons exhibit at Whitney Museum

Walking through the Jeff Koons exhibit at the Whitney Museum was like being exposed to a riot of color with every step. Some of Koons' works are more conventional, like his study of tulips, which portrays the colorful flowers as a series of curved tubes in a manner that is both abstract yet also representative of how the flower looks in life. Other of Koons' works, however, challenge the very notion of what constitutes art. For example, some of his sculptures look like brightly-colored vacuum cleaners. The cleaners are a mixture of bright shades and white and look strangely sanitized and inviting, even though they are reproductions of ordinary objects. According to the information provided at the exhibit, Koons was fascinated by the vacuum cleaner because of the way it symbolized conventional, static domesticity yet also had a kind of living, breathing component to it that made it seem 'alive' because of its activity. Interestingly, the design of the vacuum cleaners in some ways echo many modern, actual cleaners in their bright color scheme, although these shades would have been unusual when Koons first produced the sculpture. Regardless, this illustrates to an even greater degree the blending between art and life intentionally created by Koons.

Koons also enjoyed satirizing the conventions of high art. A number of his ceramic sculptures are deliberately designed to look like Greek heroes or gods. They have the appearance of relics,...

There is a further, satiric sense in some of his other works such as his 'inflatable' series which looks like a series of arranged childhood toys. Although some of Koons' works are clearly art yet intended to echo some artifacts of popular culture, the inflatables' series most directly suggests this, given that many of the toys look quite similar to the ones that the attendees may have played with as children. They suggest a playful satire of consumerism even though they look oddly beautiful and appealing in a museum setting.
Koons also makes more creative use of ordinary toys in works in which he suspends a basketball within a fish tank, as a commentary on the suspension of time presumably. Regardless, it is very tempting at times to ask 'how is this art,' even though the works are funny and visually appealing. However, viewed in its totality, the exhibition clearly shows the gazer that Koons was capable of creating representational art or art that was conventionally beautiful. But Koons sought to challenge our notions of art more than create works which were conventionally beautiful or caused people to notice his talent.

Perhaps the most powerful testimony to…

Cite this Document:
Copy Bibliography Citation

Related Documents

Warhol and Koons: How Does
Words: 3543 Length: 11 Document Type: Term Paper

But the cool tone of the images in Warhol's works is one reason why a viewer might be tempted to read a kind of backhanded affection for advertising and consumption in Warhol's series, as well as satirical parody. What Hughes calls this affectlessness, a fascinated and yet indifferent take on the object, Warhol does not obviously express a point-of-view, rather he simply deploys sameness in different contexts -- advertising in

Examine How the Dialogue Between Theory and Praxis Has Changed Since...
Words: 1840 Length: 7 Document Type: Term Paper

dialogue between theory and praxis has changed since the 60s. Dialogue between Theory and Praxis since the 1960s Jeff Koons is among the most controversial and intriguing artists to have emerged in the past decade. Like Marcel Duchamp and Andy Warhol before him, he is concerned with the transformation of everyday objects into art and takes such post-modern issues as high and low culture, context, and commodification of art as the

Scale-Free Networks
Words: 678 Length: 2 Document Type: Essay

Headline: Leverage points: Places to intervene in a system by Donella Meadows The Sustainability Institute Leverage points are areas within a system where small changes can generate seismic, system-wide effects. For example, contrary to expectations, having more low-income housing actually results in poorer outcomes for poverty-stricken residents of urban areas if the housing is not matched simultaneously with employment opportunities. To change systems requires an understanding of negative and positive feedback loops,

Van Gogh in Search of
Words: 6470 Length: 20 Document Type: Research Paper

On the contrary, if I had been able to be a clergyman or an art dealer, then perhaps I should not have been fit for drawing and painting, and I should neither have resigned nor accepted my dismissal as such. I cannot stop drawing because I really have a draughtsman's fist, and I ask you, have I ever doubted or hesitated or wavered since the day I began to

Sharon Helgason Gallagher and the Art Book in the Internet Age
Words: 2719 Length: 8 Document Type: Reaction Paper

headline from May 2015. "Picasso's Women of Algiers Smashes Auction Record," is how the BBC phrased it, on May 12, noting that "Picasso's Women of Algiers has become the most expensive painting to sell at auction, going for $160 million" (Gompertz 2015). In the frequently dicey and volatile early twenty-first century economy, it is clear that high art has managed to maintain its value in a way that the

Night at the Museum: Battle of the
Words: 395 Length: 1 Document Type: Essay

Night at the Museum: Battle of the Smithsonian Extra Credit Scavenger Hunt The 2009 comedy film "Night at the Museum: Battle of the Smithsonian" is set in the famed Smithsonian Institution National Museum of Natural History in Washington, D.C., but in reality many of the scenes were shot inside New York City's American Museum of Natural History (AMNA), where the main character Larry Daley (played by Ben Stiller) actually worked in

Sign Up for Unlimited Study Help

Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.

Get Started Now