• Home
  • /
  • Topic
  • /
  • Arts
  • /
  • Jazz
  • /
  • Jazz Live Performance Review Live Performance Review  Reaction Paper
Verified Document

Jazz Live Performance Review Live Performance Review: Reaction Paper

Jazz Live Performance Review Live Performance Review: Roy Haynes and the Fountain of Youth Band

Summer festivals always fill the New York air with some pretty amazing music. This year's Charlie Parker music festival was definitely no exception. Some pretty big names showed up to make the festival one to remember, including the great Roy Haynes and his Fountain of Youth Band, which came to pay tribute to the bop and bebop of the Bird's era.

This year's Charlie Parker Jazz Festival signified the event's 20th anniversary, and so the line up was definitely filled with some serious all stars. The entire festival spanned several days, and included stops in both Harlem and the East Side. The particular event I attended was the concert held on August 25, 2012 at Marcus Garvey Park in Harlem, New York. The concert was a free event in Harlem, put on by the City Parks Foundation in honor of a jazz legend and in an attempt to keep good jazz alive in the streets of New York City (City Parks Foundation 2012). There were several big names playing, but one of the more memorable performances was that of Roy Hanes and his Fountain of Youth Band. The band currently tours around the country and recently played at the Lincoln Center, also here in New York. On that particular occasion, Roy Haynes, the leader of the band that shares his name, was on the drums. Jaleel Shaw presented a memorable performance on the saxophone. Martin Bejerano was on the piano, and David Wong really provided a great foundation for the set on the stand up bass.

You could tell everyone in the crowd was definitely enjoying the sort of bop that was being presented in respect of the great jazz legend Charlie "Bird" Parker. According to outside research, "Charlie Parker was one of the most influential improvising soloists in jazz, and a central figure in the development of bop in the 1940s," (Oxford University press 2012). In his honor, there was much bop beating through the speakers. The emphasis of the performance itself was also really based on highlighting the solos and the individual of the talents of the musicians themselves. In respect for one of jazz music's greatest improvisers, the solo improvisations were really the main focus of the performance. For example, bassist David Wong played a clear walking base to support the saxophone during Jaleel Shaw's solo improvisations, with the drums acting as a counter and providing breaks in the melody. Then the rest of the orchestra was once again brought back into the song until the harmony flowed into the next improvisation session. This was repeated throughout the performance, with each of the artists having several different blocks to pay homage to the great Charlie Parker. Haynes played a more active role in keeping the tempo during Martin Bejerano's solo piano improvisation. This showed not only the flexibility and fluidity of the band's style,…

Sources used in this document:
Works Cited

City Parks Foundation. "20th Anniversary Charlie Parker Jazz Festival." Calendar. 2012. Web. Retrieved 10 Sep 2012 from http://www.cityparksfoundation.org/calendar/roy-haynes-rene-maries-experiment-in-truth-derrick-hodge-erimaj/

Mandel, Howard. "Celebrate Charlie Parker with Roy Haynes and Me." Jazz Beyond Jazz. 2012. Web. Retrieved 10 Sep 2012 from http://www.artsjournal.com/jazzbeyondjazz/2012/08/celebrate-charlie-parker-with-me-and-roy-haynes.html

Oxford University Press. "Charlie Parker." Biographies. PBS. 2012. Web. Retrieved 10 Sep 2012 http://www.pbs.org/jazz/biography/artist_id_parker_charlie.htm

Schiram, Mark & Pulliam, Becca. "Roy Haynes Fountain of Youth Band o JazzSet." NPR Music. Web. 2012. Retrieved 10 Sep 2012 from http://www.npr.org/2012/03/01/147749717/roy-haynes-fountain-of-youth-band-on-jazzset
Stanford University. "The Roy Haynes Fountain of Youth Band." STS. 2012. Web. Retrieved 10 Sep 2012 from https://sts.stanford.edu/events/roy-haynes-fountain-youth-band
Cite this Document:
Copy Bibliography Citation

Related Documents

Jazz Musician Sidney Bechet
Words: 4585 Length: 17 Document Type: Term Paper

Pioneering Jazz Musician, Sidney Bechet About Sidney Bechet Sidney Bechet was a pioneer jazz musician who changed the music of his time into a unique art form. Considered to be one of the greatest jazz musicians of New Orleans, Bechet was an innovator on both the clarinet and saxophone. His music changed jazz music forever and inspired countless musicians of all types. Bechet was born in New Orleans in May 1897. He was

Classical Music and Jazz
Words: 958 Length: 3 Document Type: Essay

Jazz Performance Report Jazz in its essence is a group of assorted musicians seamlessly communicating with one another. The communication may be planned or take place in spontaneity as the musicians become one in music. Since the tempo, key, rhythm and etiquette of the music is so potent, the musicians allow for great excitement generated by the music to shine, thereby making spontaneous improvisation easier. Jazz is a constantly evolving music

Concert Review: "Jazz Legends: Arturo Sandoval" the
Words: 1366 Length: 4 Document Type: Essay

Concert review: "Jazz legends: Arturo Sandoval" The legendary Cuban expatriate trumpeter Arturo Sandoval begins his concert with one of his signature tunes, "Tunisia Blues." "Tunisia Blues" starts off with a swinging, lazy casual sound of a trumpet. Sandoval does not interact with the audience, introduce the piece, or tell the audience a bit about his biography and band members. He simply 'digs right in' to the music. The tone is casual

Technological History of Jazz in
Words: 1575 Length: 5 Document Type: Thesis

This were then replaced with larger big band orchestras as technology allowed such large groups to be clearly recorded, "As the swing era began, shorts were made of many of the top orchestras," (Yanow 2). Big band orchestras began showing up in all the major Hollywood productions. They featured pre-recorded songs where the musicians lip singed. It is interesting to have such a crucial period on film. The Swing Era

Louis Armstrong: Jazz Great Jazz
Words: 1827 Length: 6 Document Type: Term Paper

On stage or off, he was "endearing, carefree ambiance that contrasted greatly with the bravura exhibitions of technique from earlier decades" (69). By the 1950s, everyone knew who Louis Armstrong was and it is safe to say he was an international celebrity. He was more than just a jazz great -- he was an "icon to musicians and lovers of jazz" (Smithsonian) because of his style and incredible individuality.

Concert Review the Philadelphia Inquirer Warned That
Words: 554 Length: 2 Document Type: Essay

Concert Review The Philadelphia Inquirer warned that Asphalt Orchestra is "not your mother's marching band" (www.asphaltorchestra.com). Those who entered Keene State College's Redfern Arts Center on the evening of October 5, 2011, were in for a surprise if they had hoped to hear "Louie, Louie" or other high school halftime standards. From the opening notes, it was clear Asphalt Orchestra was on stage to bring innovative musical entertainment to an enthusiastic

Sign Up for Unlimited Study Help

Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.

Get Started Now