1. What is your general impression of any 2 specific arguments Giddings makes in the essay (i.e, Jay-Z as cultural agents or "africanisms" in Jay-Z's lyrics)?
First, I was impressed by Giddings’ assessment of “the Africanist spiritual value of recognizing reality as a composite of both the tangible and the ethereal/illusive,” (p. 11). The spiritual dimensions of hip-hop are not discussed much, and it is refreshing to encounter this perspective. Second, I appreciated Giddings interjection of gender issues into the assessment of Jay-Z’s lyrics and their “Africanisms,” particularly with regards to the concept of machismo. It is interesting that Giddings connects female background vocals and the blending of male/female in African-American music with corresponding social realities.
2. Of the 4 cultural africanisms/core values, introduced by Giddings and exhibited in Jay-Z's lyrics, which 1 (or more, if any) is most convincing to you that African Americans have an African heritage; and how specifically does the essay illustrate this?
The communal core value is inherently political. Giddings tackles the complexities of communal values, first by showing how hip-hop artists like Jay-Z grapple with the dichotomies of “dumbing-down to audiences for optimal profit,” while...
Works Cited
Giddings, G. Jahwara. “Afrocentric Jay-Z.”
Saudi Arabia is known as the home to the hip hop group, Dark2Men, who competed in MTV Arabia's Hip Hop Na reality show. Break dancing has also become popular as a pastime in the region. Though the exact music distribution and sales numbers are difficult to establish, there is huge listenership especially in satellite TV and radio Gana 45() Hip hop culture in the U.S. Hip hop has been a part
L. Cool J. into box-office stars. Like rock and roll in the 1950s, hip-hop has become the great cultural bridge in these times" ("Hip Hop: The history," Independence, 2006.). However, in some of its manifestations, the original intent of hip-hop music to parody and critique mainstream culture has been corrupted by materialism. There is a distinct contrast with the original voices and visions of artists like Afrika Bambaataa, Grandmaster Flash
men in the hip-hop world. She has been a spokesmodel for Jenny Craig, a company that explicitly utilizes her 'real woman' image to sell its weight-loss product. "She's a CoverGirl and, off-screen, manicures a wholesome image" (What's worse, 2009, Querty). To emphasize her critique of Black male desire and to create another image for a Black woman to 'be' in the world would challenge prevailing norms and the new
As hip hop developed in urban environments, it has historically concerned itself with themes addressing the minorities dwelling in these communities. This is a tradition that has continued up to the present day. The main concern in hip hop lyrics is with the "struggle." This struggle can be personal or political in nature. In addition, there is also one strain of hip hop rapping known as "party rhymes" that are
Sadly, what began as a means of artistic expression has evolved into a phenomenon that has centered on exploiting women and glamorizing crime and violence, leading listeners to believe that this is not only the acceptable way of treating women, but also that the crime and violence are socially accepted norms. Works Cited Alridge, D. & Stewart, J. "Introduction: Hip Hop in History: Past, Present, and Future." Journal of African-American History. 90(3) Summer
Hip-Hop Music Throughout history, popular music has changed constantly. Every time a new category of popular music is introduced to a new generation, there is always controversy. Elvis Presley, The Beatles, Madonna and even country and westerns Loretta Lynn broke barriers that everyone was real upset about at one time. They are now highly respectable. In time, the controversial music becomes accepted and new artists push through more limitations. Because of
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