Japanese popular culture has a unique aesthetic, and is completely modern as befits a wealthy industrial society. Comics, known as manga, and cartoons, known as anime are two of the more immediately recognizable elements of Japanese popular culture. Both are long-established entertainment forms in Japan and cover all genres of fiction, not just the children's genre. Indeed, some anime and manga are exceptionally graphic and brutally violent.
Whereas manga and anime are decidedly Japanese in character, fashion and music in Japanese popular culture borrow more heavily from Western elements, but meld them with a uniquely Japanese character. Traditional Japanese music is reminiscent of western classical music and features distinctive Japanese instruments such as lutes, taiko drums and percussion and was played before imperial courts. Today's Japanese music takes on European forms, albeit almost always in the Japanese language. The most popular form is pop, known as J-Pop. There are also many Japanese musicians performing other forms of Western music. Occasionally some of these, such as DJ Krush, Shonen Knife or the Boredoms achieve success in the West, but this is uncommon.
The most iconic image of Japanese fashion sense, the kimono, is relevant mainly for its historical status. As the dress of the geisha, kimonos are traditional full-length garments known for being both simple and simultaneously ornate. Today, kimonos are worn only for special occasions, sometimes even by men. Modern Japanese fashion is known for its trendiness, with several trends and the subcultures that subscribe to them being easily identifiable over the years. High fashion is common, with Japanese wearing the most avant-garde of European and American designs.
A key element of Japanese culture is the cuisine. Japanese food itself...
Men, on the other hand, are more likely to be old, job holders, out of the home and authorities on the products. They are also more likely to explain why the products are good and to recommend expensive items." (Sakamoto, 1999) However over the years, changes have been noticed in some respects. Women are not as much associated with cheaper products as they once were due to their improved financial
While not a nostalgic or positive portrayal of nature, Miyazaki appears to strip away all civilized and male-dominated pretences towards what appears to be, and portrays to the Japanese people a vision of what lies beneath the pretence and the civilizing influence of traditionalism. Perhaps this is why his film was the highest-grossing ever in Japan at the time. Another possible reason is the sense of cultural loss that Japan
Japanese: Cultural Interview and Nursing Assessment Presentation of client and scenario This interview was conducted with a Ms. X, a Japanese national visiting friends in another country. She was, over the course of the interview, asked about a number of personal and culturally sensitive factors about her native culture that might affect a nursing intervention. It is important for a nursing practitioner to keep this in mind as, in the 2000 census, 796,700
Japanese Watersheds An Island Nation's Freshwater Resources We think of Japan as an island nation, a nation defined by its shoreline with the Pacific Ocean. And, of course, this is a perfectly legitimate way to envision the country: It certainly is dwarfed by the Pacific. However, like all areas that sustain permanent human populations, it is also home to a number of fresh water sources. And while it is impossible to underestimate
Japanese Business Management The purpose of this work is to discuss the future of small businesses in Japan and to consider whether the era of the supportive small firm has ended. Further this work will address the following issues: Are small businesses beautiful in Japan's present economy? Explanation of the changing roles (trends) of the small firm in Japan. Small businesses have supported the large firm segment in Japan. Future of Small firms will be
The predominant line of thought amongst the Americans was that it would be best to condemn Tojo and preserve the figurehead of the Emperor to hold the nation together, for fear that doing away with the imperial system would be too great a shock to the Japanese. Yet the relationship of the Emperor Hirohito to the militaristic leaders of Japan was far more complex than might be initially suspected.
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