c. If we look at modern culture and modern technology, the first connection that can be made with Cubist culture characteristics is its populist nature. We are free to state that the modern culture has gained a populist reverberation and that it is created for the masses. It has lost its elitism and its way of addressing a specific, well-determined and well-defined segment of consumers.
If we look at art history from Barzun's perspective, after the Renaissance, art and culture has gradually lost its elitism, its normality and sensibility. In the Renaissance, portraits were usually painted only on request from important persons who could afford one. Plays and performances had a limited auditorium. It was Shakespeare who started to produce the first mass shows and the process has gradually assimilated all other forms of manifestation.
As such, in the beginning of the 21st century, art and culture in general are more populist that ever and modern technology helps propagate this deep in the masses. Let's take the film industry, for example. The fact that a film is produced with the numerous special effects is destined to impact the masses and, intrinsically, determine and manipulate their reaction to the movie. The role of modern technology in the production of modern cultural elements has become essential and we have reached a point where the success of a cultural manifestation can be determined by the success the technical achievement has reached (we are referring to other cultural manifestations, such as the theatre, exhibitions, etc.).
If we look at mass culture nowadays, simultaneity is also manifested at an intrinsic level and this is definitely something interconnected with modern technology. Modern technology has achieved an universal stature and its use in cultural manifestations such as art festivals, cultural exhibitions, theatre representations, fashion shows or exhibitions may, at times, determine the actual success of the manifestation. People have begun to associate a cultural representation with a necessary spectacular component. On many occasions, it...
In essence the Cubists were not only concerned with the development of new artistic techniques, but their experimentation was also concerned with the search for a new and more dynamic perception of reality. As one commentator notes; "The Cubists sought to create spatial abstractions" (the AESTHETIC). As has been stated, Cubism depicts a new reality which was also in essence a form of protest against conventional ideas of both art
" (Cottington, p. 4) Braque was to follow with an equally disjointed yet less controversial -- in subject -- breaking down of the elements of a "Violin and Candlestick" in 1910, and Picasso was subject to the same breaking-down as a subject of another Cubist's painting, Gris, in "Portrait of Picasso." 1912. Douglas Cooper notes in his book, The Cubist Epoch, that the one common aspect of the many different artists
One of the most fascinating and well-known paintings that represents cubism is Picasso's "Les Demoiselles d'Avignon." Standing at more than eight feet tall, this painting represents five prostitutes waiting at the doors of a brothel (as evidenced by drawn curtains on either side). One of the prostitutes wears an African mask which some believe represents the scourge of venereal disease -- the masks would protect against them. Avignon is a
Cubism emerged in the early twentieth century, and generally represented a deconstruction of visual forms. Other defining elements of cubism include the abandonment of perspective and the simultaneous denial of the importance of realistic depictions of the subject ("Cubism"). One of the hallmarks of Cubism was the artists' interest in rendering "the changing experience of space, movement, and time," ("Cubism"). Although much Cubist art is representational, many pieces veered toward
Cubist Ideas and the Modernist Arts The cubist art work has certain attributes which define its construction and conception. These ideas, clustering around these works of art, were applied to other art forms with varying results. This examination will explore how these new and original ideas about cubism manifested themselves in the productions of art in other genres. The Cubist style must be viewed as an extension of the anti-Romanic, anti-Impressionistic mood
Cubism and Sculpture Cubism as an artistic style and movement began as a revolt against the traditions and the artistic norms of previous centuries. Cubist painters and sculptors like Picasso rejected many of the formally accepted elements of art. These elements included texture, color, subject matter, light as a means of determining form as well as movement and atmosphere. The rejection of representation was also a major aspect of the
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