It is only after a sort of "get acquainted" period that I see what I have been about. I have no fears about making changes, destroying the image, etc., because the painting has a life of its own. I try to let it come through." (Jackson Pollock)
Using this method he produced beautiful canvases with interlocking and interlaced colors which were completely abstract, such as Full Fathom Five and Lucifer which were both painted in 1947. There were developments and enhancements in his technique of painting and later he would create a style which was characterized by a crisscrossing of lines in black and whites and muted colors. An example of his later style is the painting Ocean Grayness (1953.
The renowned critic of modernism and art Herbert Read, stated that the originality of Pollock's work could be found in the phrase" concrete pictorial sensations." (Read, Herbert. P. 262)
By this he meant that the artist was creating independent artistic creations which were expressions of experience which did not necessarily relate to any other references; or to things outside of itself. This meant that the images that Pollock created were expressions of a new sense of artistic freedom. This sense of freedom was based on the experimental and unrestricted expressions of artistic innovation that the Surrealists first displayed. "Pollock owed his 'radical new sense of freedom' to the unprecedented and automatic methods...
Jackson Pollock observed, "The modern painter cannot express his age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or any other past culture. Each age finds its own technique." Choose three works of mid-twentieth century art that illustrate this idea and discuss them in detail. How does the technique of these particular works help convey the reality of the modern world? Jackson Pollock was indeed
Pollack and Rothko The 1930s art world enjoyed several different creative styles. The Social Realists painted works that normally depicted a social message and, with Edward Hopper, even oppression. The Regionalists also felt a need to show the trials of daily life. However, others began to see things in greater abstraction. Hans Hoffman was interested in expressive abstract art, and the American Abstract Artists favored a more mathematical perspective1. By the
Art Five notable 20th century artists The nature of 20th century art was profoundly challenged by the sudden ubiquity of apparently 'objective' media such as the motion picture, photography, and standardized graphic advertising. How could art be deployed effectively in the face of such representation? If art was no longer needed to physically capture the past, what was its use? The answer posed by the plastic arts was that art must look
4. Pablo Picasso (Oct. 25, 1881 - Apr. 8, 1973) Our first non-French artist, Pablo Picasso was born in Spain to an artist father. From an early age, Picasso demonstrated remarkable talent and zeal. After moving to Paris his art career exploded when he created the "Cubist" movement using shapes and dull colors to represent the subjects. Later he experimented with "Neo-Classicism" and "Surrealism." Picasso was not only a painter of
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